Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts

18.3.21

Artist Combines Like Objects into Surreal Photo Manipulations


Influenced by artists like René Magritte and Chema Madoz, Swiss-born photographer Monica Carvalho began to see the possibilities that photography presented. 

Not satisfied with taking a normal image, she has combined her two passions of photography and surrealism.




Carvalho, now based in Berlin, Germany, says that her passion has become looking at images she takes with a new perspective and creating surreal images that make viewers want to make a double-take. 

She only uses her own original photography in her work, and says that her motto is to make the ordinary, extraordinary.



“My passion for photography goes a long way back,” Carvalho tells PetaPixel. “I always loved documenting family travels: new cities, architecture, food, animals. My camera (a Nikon D5600 18-55mm since 2011) enabled me to live these memories and happy moments again.”




After being visually challenged by surrealist artists in college, she realized that her own love for photography offered the opportunity for her to play around with imagery and invent new stories.



“I yearned for something more than just take photos: whatever I was going to create had to be challenging for the eyes. So, I sought a way to combine my two existing passions – photography and surrealism. 


The solution came to me as Adobe Photoshop, because it allowed me to merge my photos with my imagination. My USP is that I only use my own photos for my work – this makes my art both challenging and exciting!”


Carvalho says that her process involves combining two or more photos in order to give birth to a new photo, a new world.




“Making something ordinary extraordinary to me means to elevate that thing to a new level of meaning by changing its purpose. Everyday objects are so familiar that we don’t think about them twice, we just use them for their function. My photomontages claim that an object doesn’t necessarily only have one function.”




“I especially love using eyes in my work, because to me they are the most expressive part of the human body. Eye contact is a powerful thing. You can make someone happy, fearful, sad or angry just by how you look at them.”

Carvalho says she is obsessed with imagery, illusion, and the impossible.


“I see my photomontages as the result of a crash between possible and impossible, between reality and imagination. The brain is confused by the juxtaposition of two things it is familiar with but, blended together, doesn’t make sense in our world.”





“The aim of my work is to inspire people, to offer them a new way of seeing everyday objects. I want to demonstrate that anything has the power to inspire!”

For more from Monica Carvalho, you can follow her on Instagram or visit her website.

17.3.21

How to Automatically Generate Water and Reflections in Photoshop



If you are looking at creating more composite images in Photoshop, want to have a new tool at your disposal for future images, or want to spice up some older photos on your hard drive, this tutorial might be for you.

I have made some wholesale and creative edits to images in the past, both on brief and of my own accord, but adding realistic water was not something I would have considered outside of an artistic, composite image. But, with plugins and software using more advanced A.I., we're seeing the ceiling of what's possible rise for even amateur retouchers.

In this video, Unmesh Dinda of PiXimperfect shows how to use Flaming Pear's Flood 2 plugin for Photoshop. While it is a paid piece of software, the free trial is allegedly very generous with what it lets you do and a lack of restrictions.

The customization options are numerous and you have a surprising level of control over exactly how the water looks. What I would say is that for an image to look realistic enough to fool even veteran photographers, you're going to need to know how to composite at a basic level anyway. For instance, matching colors, tones, exposures, and so on. However, used sparingly or in the right hands, this is an interesting tool, to say the least!