Showing posts with label Brazil. Show all posts
Showing posts with label Brazil. Show all posts

23.1.23

After Bolsonaro, Can Lula Remake Brazil?

Governing after four years of divisive rule will be a profound challenge. “The weight on my back is greater,” Lula said.

Following a prison term, a fraught election, and a near-coup, the third-time President takes charge of a fractured country.


All around the immense city of São Paulo, posters on telephone poles display a Pop-art image of the newly elected President of Brazil, Luiz Inácio Lula da Silva—Lula, as he is universally known. His head is crowned by dark curls, his face adorned with a red star, a symbol of his Workers’ Party. It is a vision of Lula in his early days: the left-wing idealist, the charismatic strike leader, the prophet of an imaginary future in which Brazil would become a center of social justice where no one went hungry, the rain forest was protected, and the enmity between races and classes dissolved. It is an old cliché that Brazil is the country of the future—a future that will never arrive. It is also true that the colossus of Latin America has not fulfilled many of its people’s hopes.

For generations of Brazilians, Lula is the country’s most familiar public figure. He served two previous terms as President, from 2003 to 2010. In 2018, he was imprisoned on charges of money laundering and corruption. Lula denied any wrongdoing, insisting that he was the victim of a political revenge scheme. His candidacy represented an almost unprecedented comeback.

After a long career of constant crisis, of triumph and embattlement, Lula looks his age. He is seventy-seven, short and sturdy, with a rooster’s erect posture and puffed-out chest. His hands are tough, like a boxer’s, but his skin is pale, and his curly hair has gone thin and white. When I saw him last November, a few days after he won the Presidential election, he entered the living room of a hotel suite in São Paulo surrounded by a phalanx of aides and security guards. He was dressed in a politician’s gray suit jacket and slacks, which he seemed to wish he could trade for his customary guayabera and jeans.

Lula looked not just exhausted but also unwell. In 2011, barely a year after he broke a half-century smoking habit, he had received a diagnosis of throat cancer and undergone chemotherapy. Doctors urged him to take special care of his throat, but of course he had ignored them during the campaign, and often when he spoke now his voice was reduced to a gravelly, theatrical growl. During his victory announcement, he seemed to strain to produce an impassioned whisper.

Lula’s campaign speeches suggested that he was engaged in an existential conflict. His opponent was Jair Bolsonaro, the incumbent, a right-wing populist who had become known as “the Trump of the tropics,” and as one of the hemisphere’s most controversial leaders. Like Trump, he had come to power by appealing to voters who were outraged by abortion rights, gay marriage, and sex education in primary schools. Throughout his career, his rhetoric was often hateful. He once dismissed a female legislator by saying that she was “not worth raping, she is very ugly.” On the subject of homosexuality, he said, “If your child starts to become like that, a little gay, you beat him and change his behavior.” In office, he allowed corporations to hack away at the rain forest virtually unimpeded, and police to shoot suspects without restraint. Responding to the covid-19 pandemic, he was neglectful and often cruel, telling his citizens, “Everyone has to die one day. We have to stop being a country of sissies.” Brazil has had nearly seven hundred thousand reported deaths, second only to the United States.

Lula, in his campaign, had talked in almost messianic terms about his desire to “rescue” Brazil. He had also begun to speak about God, his age, how he felt lucky to have endured his adversities. On the night he finally won, he said, “They tried to bury me alive, but I survived. Here I am.”

When I’d last seen Lula, in December, 2019, he had appeared vigorous and relatively youthful. Now, despite his campaign rhetoric, he seemed a little overwhelmed by the prospects he faced in his mission to save Brazil. Sinking into a chair and exhaling heavily, he said that he’d been on the telephone all morning with world leaders who’d called to congratulate him. When I asked what political initiatives he had planned, he spoke almost by rote, as if still on the campaign trail. But when I said that, outside Brazil, many people expected him to rescue not just his country but the global environment, by reversing the deforestation of the Amazon, his eyes widened almost fearfully, and he exclaimed, “Yes, I know!” Reaching over to grab my knee, he leaned in and began speaking intently of reshaping the country. “People are very optimistic about our governance,” he said. “People are expecting something to change, and it will change.” This was the Lula from the Pop-art poster, the leftist crusader who had enthralled Brazilians since his first appearance on the national stage, forty years earlier. But now the country around him was different, divided sharply between those who loved him and those who despised him.

On New Year’s Day, Lula was inaugurated in the capital, Brasília, a sprawling city carved from the forest in the late nineteen-fifties. In a speech from the Planalto Palace, a modernist building that contains the Presidential offices, he made an attempt at conciliation. “There are not two Brazils,” he said. “It is of no interest to anyone to live in a family where discord reigns. It is time to bring families back together, to remake the ties broken by the criminal spread of hate.”

A week later, Bolsonaro supporters swarmed the capital, arriving on more than a hundred buses from around the country to overturn what they insisted was a stolen election. Shouting, “Overthrow the thieves!” and “We will die for Brazil!,” they invaded the Presidential offices, the Supreme Court, and the legislature, setting fires and smashing whatever they found.

At Lula’s order, Brazilian authorities moved swiftly to turn back the siege, arresting more than fifteen hundred protesters and promising an inquiry into the origins of the violence. Lula also orchestrated a display of unity: dozens of government leaders, including some loyal to Bolsonaro, walked arm in arm across the vast plaza that connects the Planalto Palace with the Supreme Court. It was an effective gesture—a reminder of the street protests that had helped establish his reputation decades before. But Lula seems conscious that making the country function after four years of authoritarian rule will be a profoundly larger challenge. “My responsibility is much greater now,” he told me. “The weight on my back is greater.”

Last October 1st, the day before voting began in the Presidential election, Lula stood in the back of a pickup truck as it rolled along Rua Augusta, a narrow street in São Paulo known for its bars, sex shops, and raucous night life. Crowds had gathered along the sidewalks and on apartment balconies, and more clogged the street around his truck. Brazilian elections have two rounds, but any candidate who wins a simple majority in the first round can clinch the Presidency. Lula, who is at his best in a throng of supporters, was hoping to inspire voters to put him in office without delay.

Electoral rules forbid candidates to speak to voters on the last day of the campaign, so Lula waved silently and blew kisses. The crowd was noisy, though: music was pounding from speakers on his vehicle, and people in the streets were dancing. Suddenly, Lula began jumping around the truck, like a kid in a mosh pit. At his encouragement, his campaign ally Fernando Haddad, two decades his junior and a head taller, began jumping, too. As they bounced, more or less in time to the music, onlookers cheered them on. Video of the spectacle soon spread on social media.

It was a moment of buoyancy in a contentious campaign, one that had divided voters over questions about what kind of a country Brazil is and what kind it should be. Lula’s followers tended to be younger, more multiracial, and lower-income, with a considerable L.G.B.T.Q. contingent; Bolsonaro’s skewed older, whiter, and wealthier. As Lula’s rowdy cavalcade made its way down Rua Augusta, a Bolsonaro procession traversed a nearby avenue, accompanied by squads of hard-faced men on motorcycles.

Most polls suggested that Lula would win by a comfortable margin. But it was uncertain whether Bolsonaro would honor the results of the election if he lost. Like Donald Trump, with whom he had established a close rapport, Bolsonaro had long questioned the security of Brazil’s electronic voting machines—even though they had affirmed his victory in the previous election. In 2021, he told a group of loyalists that he saw only three possible scenarios for himself in the election: victory, arrest, or death. He appeared to be prepping his supporters, the bolsonaristas, to reject any result that favored Lula. He had also hinted repeatedly that the armed forces, where he had a great deal of support, would back him in a contested election. His minister of security, a hard-line former general, made threatening remarks about the possibility of military intervention.

In the United States, Trump’s allies helped amplify Bolsonaro’s arguments. On Fox News, Tucker Carlson warned that Lula would be a puppet of the Chinese President, Xi Jinping. “Allowing Brazil to be a colony of China would be a significant blow to us and potentially a very serious military threat,” he said. “The Biden Administration appears to be in favor of it. One person who is emphatically not in favor of it is the President of Brazil, Jair Bolsonaro.” (Days before, Carlson had conducted a fawning interview with Bolsonaro, suggesting that he was a better leader than the Ukrainian President, Volodymyr Zelensky, and posing with him for pictures afterward wearing an Indigenous feather headdress.) The former Trump official Steve Bannon stoked fears that Lula intended to cheat his way to power: “Bolsonaro will win unless it’s stolen by, guess what, the machines.”

With concerns growing, the Biden Administration quietly deployed visiting emissaries, including Defense Secretary Lloyd Austin, to warn Bolsonaro, his senior officials, and the military not to interfere in the election. As a U.S. official familiar with the outreach told me, “We made a concerted policy to let them know where the lines were for us. The outcome of the election was their business, but what we cared about was that the process be respected. We think they listened.”

Brazil’s Supreme Electoral Court also joined the effort. Its head justice, Alexandre de Moraes, moved quickly to engage the armed forces, inviting them to participate in an election-transparency commission. To defuse Bolsonaro’s claims, he also arranged for the military to inspect a number of voting machines on Election Day. The proposal drew criticism from advocates of electoral independence, but the armed forces agreed. Whatever else might happen, it seemed, they were unlikely to launch a coup.

The concerns about the stability of the government were not frivolous. Democracy has tenuous roots in Brazil. From 1964 to 1985, the country was ruled by a military dictatorship, whose officers harshly oppressed labor unionists, clergy, academics, and the country’s tiny contingent of Marxist guerrillas. Nearly five hundred people were killed, and thousands were imprisoned and tortured—including Dilma Rousseff, Lula’s successor as President, who was captured when, as a young woman, she was an urban guerrilla.

Some of Brazil’s neighbors suffered far worse. In Argentina, between nine thousand and thirty thousand people were tortured, murdered, and “disappeared” by the military. But, while Argentina reckoned with the regime’s atrocities in a series of trials, Brazil left its military untouched, passing a law in 1979 to provide amnesty for abuses. As an institution, it has expressed no remorse.

The relatively unexamined legacy of Brazil’s dictatorship, in which the hard-right military attacked both leftist protesters and democrats, still informs the country’s politics. Bolsonaro, a former Army captain, was an eager participant in the dictatorship, and during a twenty-seven-year stint in parliament often called for a return to military rule. In one famous outburst, he said that the military had not gone far enough—that, if only it had killed thirty thousand more people, Brazil’s problems with leftists would have been solved. In 2016, when Brazil’s Congress impeached Rousseff, Bolsonaro cast his vote in the name of a notorious military colonel who had commanded the unit that tortured her.

Lula, on the other hand, is Brazil’s archetypal leftist. He was born poor, the sixth of seven children. His parents worked as farmers in famine-stricken Pernambuco, a state in the northeastern part of the country. When Lula was a young child, his father set off for São Paulo, in pursuit of a more stable livelihood, and found work as a day laborer. By the time the rest of the family could join him, when Lula was seven, he had found another woman and started a new family. For four years, they all lived together until Lula’s mother could find another place—a cramped room behind a bar.

Lula did not learn to read until he was about nine, and he quit school soon afterward. He worked as a street vender, a shoeshine boy, a warehouse laborer, and, eventually, a machine operator in a screw factory. At nineteen, he damaged the little finger on his left hand in an accident with a mechanical press. He couldn’t get medical treatment until the next day. To his dismay, the doctor performed a full amputation. In time, his opponents came to deride him as Nine-Finger.

He soon got involved in trade-union politics, organizing protests outside factories and displaying a gift for oratory. He was imprisoned for leading an illegal strike but emerged after a month, and by the waning years of the dictatorship had become a prominent labor leader in São Paulo. In 1980, as the armed forces prepared to relinquish power, he founded the left-wing Partido dos Trabalhadores, the Workers’ Party, known as the P.T. He soon began running for political office, and, over the years, whether winning elections or losing them, he has become the undisputed leader of the Brazilian left. “There’s no one else of his stature in the hemisphere,” a Western official who has met with him several times said. “He’s the boss.”

As the returns came in for the first round of voting, Lula’s campaign team gathered in a São Paulo hotel. In a briefing room, scores of journalists, hangers-on, and politicians crowded around a huge television screen, watching as the tally tipped toward one candidate, then the other. The sound in the room tracked the results: agitated silence when Lula was trailing, laughter and cries of “Lula-la!,” a refrain from an old campaign song, when he took the lead.

By early morning, Lula had 48.4 per cent of the votes—five points ahead of Bolsonaro, but short of what he needed to win the Presidency in the first round. Moreover, Bolsonaro had attracted many more voters than pollsters had predicted. Lula’s team was realizing not only that a second round was going to be necessary but that, even if their candidate won, Brazil had become a vastly different country from the one he had presided over twelve years earlier.

Lula left office in 2010 with a historic eighty-eight-per-cent approval rating. The economy had boomed during his tenure, thanks in large measure to surging commodities prices, a significant oil discovery off the coast, and the explosive growth of China, a major buyer of Brazilian exports. In 2010, the rate of economic growth was 7.5 per cent, the highest in decades. Brazil belonged to a group of fast-growing nations known as the brics—Brazil, Russia, India, China, and South Africa. But, since then, the economy has slumped, and Brazil, once the world’s fifth-largest economy, is now its ninth.

Bolsonaro worked to make Brazil friendlier to business, but many of his supporters were more energized by his prosecution of a culture war. He had won the Presidency in 2018 with the backing of the powerful consortium known as the three B’s: beef, Bibles, and bullets, signifying agribusiness, the evangelical church, and the arms lobby. In public appearances, his characteristic gesture was shooting make-believe pistols. He enjoyed widespread support among law-enforcement groups, especially the military police, which have a reputation for indiscriminate force and for involvement in organized crime.

In office, he expanded police departments and gave them wide leeway in dealing with criminals. In 2020 and 2021, police in Brazil killed more than six thousand people a year—six times the total in the United States. Bolsonaro also loosened gun laws, arguing that citizens needed to defend themselves against criminals and left-wing land invaders. Registered gun ownership grew sixfold while he was in office; gun shops and shooting ranges flourished.

It is illegal in Brazil to make racist remarks, but Bolsonaro regularly found ways to insult his country’s nonwhite inhabitants, saying that members of Afro-Brazilian communities were “not even good enough to breed” and that the Indigenous were “increasingly becoming human beings just like us.” Refugees were “the scum of the earth.” Violence against these communities, and against L.G.B.T.Q. people, surged during his tenure.

Soon after Lula took office, Bolsonaro supporters stormed the federal district of Brasília, calling for military intervention. Photograph by Antonio Cascio / Reuters / Redux

As Bolsonaro’s popularity grew, Brazilian politicians on the right began proclaiming their adherence to bolsonarismo. In the recent elections, candidates sympathetic to his ideas had done unexpectedly well, taking a majority of Senate and gubernatorial seats. One of those who won legislative posts was Eduardo Pazuello, an Army general who for a time ran Bolsonaro’s calamitous response to the pandemic. Another was Ricardo Salles, Bolsonaro’s first environment minister, who left office while under investigation for conspiring to traffic Amazonian hardwoods. (He denies the allegations.)

In São Paulo state, Brazil’s largest electoral constituency, the returns were mixed. The capital swung to Lula. Smaller cities and the countryside went to Bolsonaro, as they had in many other places where ranching and agribusiness drive the economy. In the campaign press room, Lula professed confidence: “We’ll have to fight on, but we’ll win.” His protégé Guilherme Boulos put it more starkly. Running against Bolsonaro, he said, was “a war between democracy and barbarism.”

Lula began running for President as soon as he was able. He launched his first campaign in 1989, just a year after a new constitution, adopted as Brazil returned to democracy, made it legal for leftist parties to run for office. He lost narrowly to Fernando Collor de Mello, a sharply dressed young proponent of free-market ideas. Collor de Mello resigned two years later, brought down by a corruption scandal. (He was later acquitted.)

Lula ran again in 1994 and 1998, and lost both times to Fernando Henrique Cardoso, a left-wing scholar who had once marched alongside him in street protests. As President, Cardoso moved toward the center, supporting the privatization of several major government-owned corporations. Lula remained a committed leftist, assailing the “neoliberal” reforms that swept the region, with American encouragement. While Cardoso became friendly with Bill Clinton and Tony Blair, Lula was more philosophically aligned with Fidel Castro and Hugo Chávez.

But when Lula finally won the Presidency, in 2002, he showed a surprising pragmatism, along with a political survivor’s wiliness. He weathered a scandal involving a scheme to buy legislators’ votes, which became known as mensalão, or “the big monthly payment.” Though several of his closest deputies were implicated, he was not charged. In the same years, he launched a cash-transfer program, known as Bolsa Família, that lifted some thirty million Brazilians out of extreme poverty, and initiated an ambitious program to bring electricity to neglected areas of the countryside. During his tenure, the illegal destruction of the Amazon rain forest decreased dramatically, as he implemented programs to police the region and designated several million acres as conservation areas and as reserves for the Indigenous.

Lula’s personal warmth is probably his greatest political asset, and, unlike other Latin American leftists of his generation, he showed an exceptional ability to work both sides of the political aisle. Despite his opposition to the Iraq War, he cultivated a genial relationship with George W. Bush. When Barack Obama shook hands with Lula for the first time, at a G-20 summit in 2009, he told officials there, “I love this guy. He’s the most popular politician on Earth.” (In fact, the two didn’t get along that well; Lula told me that he had a better rapport with Bush, who, notwithstanding their differences, was a guy you could have a barbecue with. Obama, for his part, wrote in his memoirs that Lula was “impressive” but “reportedly had the scruples of a Tammany Hall boss.”)

At times in last year’s campaign, though, Lula seemed to have lost his easy dexterity. At a television studio in Rio, I watched him take part in the last of three Presidential debates. Bolsonaro’s insistent theme was that if Lula won back the Presidency Brazil would become like Venezuela—a byword for failed left-wing politics. Bolsonaro strutted grimly around the studio, calling his opponent “a thief, a traitor to the fatherland, and an ex-prisoner.” Lula sputtered outraged denials and shouted back that Bolsonaro was “shameless, repulsive,” and unfit to hold the Presidency. Few of Lula’s loyalists were happy about his performance. While Bolsonaro was characteristically vulgar, Lula had reacted badly to his attacks, and failed to express any new ideas or policy initiatives.

Bolsonaro’s accusations—he called Lula a “national embarrassment”—are complicated by the fact that corruption has been endemic in Brazil for much of its modern history. The government owns large sectors of the economy, and many legislators expect to be compensated for their coöperation. “Parliament is either subservient or rebellious,” José Eduardo Cardozo, a lawyer and a prominent Brazilian politician, told me. “And, when it is subservient, it is because it participates in the government—it has the money. If it’s not participating, it wants the government out.”

Lula, in his two terms, managed to cultivate the legislature while avoiding the consequences of the mensalão vote-buying scandal. His successor, Dilma Rousseff, lacked his nimbleness. “She was not a woman who liked to talk to parliamentarians,” Cardozo, who also served as Rousseff’s minister of justice, told me. “She was a cadre who thinks about politics, but who does not perform politics.”

Rousseff was Brazil’s first female President, and a formidable figure. After her early stint as a Marxist guerrilla, she had spent three years in prison, before going on to serve as Lula’s minister of energy and his chief of staff. When she became President, though, the economy was beginning to stagnate, and in her second term a crash in commodities prices meant that Brazil had less money coming in. Street protests became commonplace. So did maneuvering by her political opponents to unseat her. Even her Vice-President, Michel Temer, supported calls for her impeachment, ostensibly for manipulating the country’s budget.

One irony of those years is that Lula and Rousseff strengthened the judiciary, which made corruption more visible in their own government. Under Rousseff, the federal police began a series of investigations known as Lava Jato, or Car Wash. For several years, a team led by a judge named Sergio Moro operated out of Curitiba, in the conservative south of Brazil. It investigated corruption across Latin America, bringing down powerful C.E.O.s, government officials, and even several foreign Presidents for their involvement in money laundering and bribery.

Many of the schemes were linked to Brazil’s state oil firm, Petrobras, and to the construction giant Odebrecht, both of which had thrived during Lula’s tenure. Moro accused Lula of being the mastermind of an international conspiracy, and a years-long investigation began. In the end, the charges were narrow: Moro alleged that Lula was illicitly promised a beachside apartment, and that friends had effectively bought a ranch for his use, where Odebrecht made renovations at the request of Lula’s wife.

In a dramatic televised hearing, Moro coolly interrogated Lula, who angrily denied the charges and demanded proof of the allegations against him. Lula’s supporters have persistently argued that there is little evidence tying him to the properties. But, not long after the hearings, Moro released recordings that his agents had made of phone conversations between Rousseff and Lula, in which she said that she was sending him papers that would secure him a ministerial post. Rousseff said that the post was routine; Moro claimed that she was trying to protect Lula from arrest. A few months later, the legislature forced Rousseff out, and Temer took her place.

Political corruption did not diminish in Brazil. Eduardo Cunha, who had led the congressional campaign against Rousseff, was found guilty of accepting forty million dollars in bribes. Temer himself was implicated, but the same Congress that had voted to impeach Rousseff opted to leave him in office, for the sake of what the presiding judge called the “stability of the electoral system.”

As the 2018 Presidential election approached, Lula remained the most popular politician in the country, with what one poll said was a fifteen-point lead over his closest competitor. But he was increasingly embroiled in criminal investigations. A few months before the voting, police burst into Lula’s house to search for evidence; Marisa Letícia Casa, his wife of four decades, died of a stroke shortly afterward. Lula was convicted of corruption, sentenced to thirteen years in prison, and placed in a federal-police facility in Curitiba.

A contingent of supporters camped outside the fence near Lula’s cell, greeting him every morning with calls of “Good day, Lula.” But Moro’s investigation insured that he was barred from public office, instantly making Jair Bolsonaro the Presidential front-runner. In the election, Bolsonaro secured a narrow victory over Lula’s stand-in, the former São Paulo mayor Fernando Haddad. Soon after being elected, he made Moro his minister of justice.

Among the loyalists who visited Lula in prison was his friend Emidio de Souza—a genial, burly man in his early sixties, who has served for years as a state legislator for the P.T. When Lula was arrested, it was de Souza who negotiated his surrender, persuading the police to abide by two conditions: “no haircut, no handcuffs.” He also arranged for Lula to be picked up discreetly, out of sight of a television crew circling in a helicopter nearby, in the hope of avoiding public humiliation.

Still, the arrest affected Lula profoundly. “He expected to be in prison for a week, maybe, or ten days,” de Souza told me in São Paulo. “But his extended imprisonment showed him that the world was going to move against him.” He passed the time by working through an earnest undergrad’s reading list: a history of slavery in Brazil, a treatise on how oil has led to wars, a biography of Nelson Mandela. He continued to follow party politics, de Souza said: “He wasn’t allowed the Internet, but he received daily written reports, news clippings, sometimes analyses of the political situation in the country. He also recorded the P.T. meetings on a flash drive, and then watched them on TV.”

From prison, Lula looked on as Bolsonaro began to generate his own corruption scandals. Though he had campaigned as a reformer, he and his family members were accused of a series of offenses, all of which they deny. Prosecutors allege that two of his sons embezzled public funds, and that an aide involved in one of the schemes funnelled money into an account owned by Bolsonaro’s wife. The family was eventually found to have bought at least fifty-one properties, largely in cash. (Bolsonaro gave a bluff response: “What’s wrong with buying houses in cash?”) To cultivate political allies, Bolsonaro’s administration maintained a “secret budget,” which gave the legislature access to some three billion dollars—a fifth of all discretionary spending—which could be apportioned without oversight.

In June, 2019, the Intercept published leaks of phone messages between Moro and the prosecutors who had tried Lula, which revealed significant ethical lapses. Moro illicitly discussed tactics with the prosecutors; the lead prosecutor expressed doubts that Lula had actually owned the apartment at the center of the case. In other leaks, the Lava Jato investigators admitted that they hoped to bring down Lula and the P.T. The United Nations Human Rights Council subsequently found that the investigation had violated due process.

In November, 2019, Lula was released, after five hundred and eighty days in prison. De Souza told me that Lula insisted he could rebuild his image, saying, “I’m not going to go down in history as a guy who stole.” In his first speech after being released, he called himself “the victim of the greatest legal lie ever told in five hundred years of history.”

I saw Lula a few weeks later, in a hotel overlooking Rio’s Copacabana beach. He was seventy-four—one year shy of the age at which the Catholic Church would no longer allow him to be a bishop, he joked. He said he’d been working out and felt fitter than he had in years. He had also fallen in love, with Rosângela (Janja) da Silva, a sociologist and a Workers’ Party member twenty-one years his junior; her daily letters had sustained him in prison, he said. He was still legally barred from politics, but he made it clear that he would return as soon as his prohibition was lifted. “If I were a candidate in 2022, I would surely win,” he said. “Because there is a faithful relationship between the Brazilian people and me.”

When Lula won the second round of voting, on October 30th, the crowds in São Paulo were ecstatic. From a two-story soundstage above Avenida Paulista, the city’s main thoroughfare, Lula waved and blew kisses, as his supporters danced and sang and waved flags bearing images of his face. His voice cracked with exhaustion and emotion as he declared, “Brazil is back!”

For many Brazilians I spoke with, though, the main reason for celebrating Lula’s victory was not that it would return the P.T. to power but that it would prevent another four years of Bolsonaro. João Moreira Salles, a documentary filmmaker, the founder of the magazine Piauí, and an astute political observer, told me, “That he could win in these conditions is nothing short of stunning. But we might remember the election as the most admirable part of Lula III. Winning was indeed epic. Governing might be a lot less rewarding.”

Lula’s team was uneasy. He had won by just over two million votes, making this the closest election in Brazil’s history. Bolsonaro had not conceded, and his supporters insisted that the election had been rigged. Along with a large contingent of bolsonarista truckers, they swarmed onto highways to block traffic and, in some cases, to erect burning barricades, halting commerce across the country.

For days, Bolsonaro remained out of sight and issued no public statements. Finally, he made an appearance at the Planalto Palace, apparently under pressure from allies. In a brief, stiff ceremony, he suggested that his supporters had every right to express their anger, but should not block the roads: “Our methods should not be those of the left, which have always been bad for the populace.” As soon as Bolsonaro was finished, he turned and walked off, while his chief of staff remained to say that officials from the current administration would be meeting with Lula’s team to begin handing over power.

There was going to be a transition, it seemed. But, within days, the mobs that had occupied the country’s highways had moved to new positions outside military garrisons. There, they set up camps and demanded an intervention to stop Lula—the thief, the Communist—from taking away their country.

Outside the main gates of the Southeast Military Command, a sprawling Army headquarters in São Paulo, several hundred bolsonaristas held a daily vigil. Men and women draped in Brazilian flags or wearing the national colors of yellow and green stood chanting, “S.O.S., armed forces!” Some held fists in the air. Several knelt to pray, their eyes closed and their arms outstretched in the fashion of Pentecostalism, which has a large following in Brazil. Some had their faces contorted in expressions of pain; others looked to Heaven, beseechingly.

Men strode in front of the chanting crowd, urging them on. When I approached several women to ask why they were there, demonstrators nearby became hostile, screaming at them, “No talking!” With rising hostility, the crowd began to yell, “Go away, dirty press!,” until I backed off.

As I left, I passed a clothesline strung between trees, which was hung with soccer jerseys, many of which were emblazoned with a 10—the number of Neymar, Brazil’s soccer star, who had recently declared that he was a bolsonarista. Alongside them was a green-and-yellow banner that read, in English, “Our flag will never be red. Out Communism.”

All over the country, crowds had gathered to protest and to pray for an intervention. In the U.S., Tucker Carlson broadcast their claims of fraud on his show. On November 2nd, he said, “According to official tallies, a convicted criminal and avowed socialist called Lula da Silva beat the incumbent President of Brazil, Jair Bolsonaro, by a narrow margin this weekend. And yet millions of Brazilians—millions—don’t believe that’s what actually happened. . . . There are questions about whether all the ballots had been counted. Why so many were thrown out. Millions. And whether election laws were violated in the process. So we can’t render judgment on those questions, but if you care about democracy, if you think the process is essential, then you would look into those allegations.”

Steve Bannon echoed Carlson. Just days after he was convicted of refusing to testify before Congress about his role in the January 6th insurrection, he went on social media to claim that Brazil’s election “was stolen in broad daylight.” He called Lula “a Criminal Atheistic Marxist” and the pro-Bolsonaro demonstrators “freedom fighters.”

Brazil’s military had largely remained quiet throughout the monthlong electoral process. A week after the second round of voting, it still had not produced the results of its inspection of voting machines. In São Paulo, Lula admitted to feeling fretful about the delay. “This report should have been delivered before the elections,” he said.

His concerns extended beyond the silence of the military. When I told him about the protesters outside the Army garrison, he turned grim. “I think we need to find out who is financing and who is feeding them, because this is not spontaneous,” he said. The day before, he’d had a discouraging talk with the governor of Pará state, in the Amazon. “When police went and tried to unblock the roads, demonstrators shot up their car,” he said. “The entire country is like this. And Bolsonaro has locked himself inside his house. We are not used to this kind of thing here. Since the return of democracy, elections have always been respected.”

Lula mentioned reports that pro-Bolsonaro police around the country had interfered with his voters on Election Day, and had assisted bolsonaristas who blocked the highways. Lula said that he wasn’t worried about being kept out of office: “It may be difficult, but, you see, the law exists to give guarantees to society.” The problem was instability, and Bolsonaro’s seeming willingness to deploy the police to keep Lula out of office. “This election was atypical,” he said, “because it was the candidacy of a candidate against the state—an absurd thing.”

Like many others, Lula likened what was happening in Brazil to the Trump phenomenon in the U.S. January 6th had established a destabilizing precedent all over the world. “Whatever disagreements you may have with the United States, it still represents the face of democracy on planet Earth,” he said. “When the most important country fails to exercise democracy, you are giving an endorsement to all the crazies in the world.”

In speeches, Lula often raises the need to address hunger in Brazil, describing it as an unassailable moral imperative. He talked at length about hunger when we met in 2019, and with increasing emotion in his campaign appearances last year. In our interview after his recent victory, it came up when I questioned him about Ukraine. A few months earlier, he’d made acerbic remarks about Volodymyr Zelensky, and had seemed to suggest, as Vladimir Putin had, that the United States was partly responsible for the conflict. Apparently eager to set the issue aside, Lula told me that he intended to talk with Zelensky and Putin, and with Biden as well, but that all he cared about was “world peace.” Soon enough, he returned to the issue of hunger. “I can’t, I can’t, I can’t betray these people,” he said, tears welling in his eyes. “I’ll have to fight with the markets sometimes, but people have to be able to eat again. I don’t want anything much, but people have to have hope again, and a full belly, with morning coffee and lunch and dinner.”

Lula remains an earnest believer in the leftist project in Latin America. But, as Cardozo, Rousseff’s minister of justice, told me, “Lula is not a man who theorizes about politics like Lenin or Trotsky. He is a pragmatist, a trade unionist.” He added, “He is also a political genius and a charismatic man. Inside the P.T., everyone below Lula fights against one another, but not against him. That’s how he conserves his power.”

Lula’s team is mostly made up of fairly doctrinaire leftists, but he has brought in some ideological diversity, in an effort to reassure the business lobby and other conservative interests. His Vice-President is Geraldo Alckmin, a center-right physician who once ran against him for President. His minister of planning and budget is Simone Tebet, who leans to the right on the economy. But Cardozo suggested that he’d need to go further to cultivate people who disagreed with him. “The extreme right is going to be strong and make permanent efforts to destabilize things. To keep the P.T. in its place and the extreme right in its place, he will need a broad alliance,” he said. “You can’t put out a fire with alcohol.”

A couple of days after I met Lula in São Paulo, he travelled to Brasília, hoping to widen his network of allies. Even as he had retaken the Presidency, Bolsonaro’s party had won ninety-nine seats in Congress, forming the largest bloc in the lower house; in the upper house, it secured fourteen of eighty-one seats. For Lula to run the country, he would have to make a deal with the Centrão, a shape-shifting coalition of right-of-center parties that have come to wield extraordinary power in the capital. The Centrão has few ideological allegiances; its members’ main imperative seems to be exchanging their votes for lucrative concessions for their constituencies, and for themselves.

But the Centrão was increasingly aligned with the hard right. It had voted out Rousseff in 2016 and then protected her successor, Temer. It had also effectively partnered with Bolsonaro when he joined one of its parties, the Partido Liberal, to run in last year’s election. Brazilian politicians change parties often. Bolsonaro has belonged to nine. The leader of the lower house of Congress, Arthur Lira, has belonged to five. Lira was a main beneficiary of Bolsonaro’s “secret budget,” and the person Lula most needed to cultivate on this trip. Judging by their encounter, Lira was eager to make a deal; he came out of Congress to greet Lula warmly.

But Valdemar Costa Neto, the president of the Liberal Party, had decided to stick with Bolsonaro. A canny, amiable man in his seventies, Costa Neto was a former Lula ally; in 2012, he was convicted on money-laundering charges related to the mensalão scheme, and spent two and a half years in detention before he was pardoned. “I had to rebuild the Party when I got out, because my image was destroyed,” he told me. The Liberal Party had traditionally leaned to the center, but he had shifted it right, and eventually the affiliation with Bolsonaro had paid off. “Now we have ninety-nine congressmen,” he said, scribbling figures on a scrap of paper to demonstrate how much funding they were bringing in. He explained brightly, “We have to make room for the extreme right now.”

Costa Neto said that he had nothing against the new President. Smiling, he told me that Lula had recently asked if he would back his coalition, but he’d shown him the math and Lula had understood. But, he added, Bolsonaro didn’t approve of him talking to Lula: “Bolsonaro’s not like you or me. He’s not normal.”

Costa Neto said that he thought Lula had won the election fairly. He recalled telling Bolsonaro to accept the results, relax, take a break, become the honorary president of the Liberal Party, and rebuild for the next elections. But Bolsonaro truly believed he had won, he said—he was wounded and “really depressed.” Costa Neto threw up his hands in exasperation. At Bolsonaro’s insistence, he had hired a company to investigate his claims of voting-machine fraud, and, Costa Neto said, it had come back with “troubling data.” He explained vaguely that the issue had to do with voting machines that had inexplicably identical serial numbers. In a few days, he said, he was going to hold a press conference on the matter.

He confessed to feeling anxious, because the claim of fraud would surely bring “three times as many people onto the streets as those already camped out in front of the Army bases.” But Bolsonaro was an important ally, and Costa Neto had promised to advance his cause. A few days later, he held his press conference. The claim was quickly rejected by Brazil’s electoral tribunal; the military had already assessed its sample of voting machines and declared Lula the legitimate winner. Still, the report generated a flurry of headlines—enough to feed the bolsonaristas’ conviction that there had been a conspiracy.

On the afternoon of January 8th, Bolsonaro supporters poured into the federal district of Brasília, overrunning the complex that houses the three branches of government—the Three Powers, as they are known. In the plaza, protesters gathered to confront soldiers protecting the buildings. Others prayed, or yelled slogans: “Brazil was whored out by those nasty, corrupt people!” Rioters forced their way in, shattering windows and setting fires. The district police, led by a former Bolsonaro official, offered little resistance, and sometimes provided aid.

Marina Dias, a Brazilian journalist, was near the Ministry of Defense when she saw an older woman dressed in a camouflage shirt, of a kind that bolsonaristas wear in tribute to the armed forces. The woman said that she had been camped out at the military headquarters in Brasília for two months. She had joined the protest on the eighth to urge Bolsonaro to hide; she explained that Alexandre de Moraes, the head of the Supreme Electoral Court, was conspiring to have him killed.

Dias, like other observers, was confused by the timing of the riots. Why wait until a week after the inauguration? When she asked the woman if she was inspired by the January 6th insurrection in the U.S., another protester yelled, “Don’t answer her! She’s a journalist, a leftist!” Sensing a threat, Dias walked away, but she was surrounded by bolsonaristas, and someone tripped her. “I fell to the street, where people kicked me and punched me,” she told me. “Two men tried to protect me, saying, ‘You will kill her and ruin our movement.’ ” But women were scratching her, pulling her hair, grabbing for her phone. Someone snatched her glasses, broke them, and yelled, “We have to kill her!”

Finally, a military officer forced his way through the crowd and pulled her away. As the officer escorted her off, “people yelled that I was a whore, and someone threw a bottle of water at me,” she told me. “It was clear they felt like there would be no punishment.”

On the day of the insurrection, Lula and Janja were visiting the city of Araraquara, in São Paulo state, five hundred miles away. But they were able to monitor the situation, an aide told me. One of Lula’s bodyguards entered the Planalto Palace, recorded the rampage, and shared it with the President in real time. No one noticed the bodyguard, the aide said, because “they were all filming themselves, too.”

Outside the President’s offices, on the third floor, the rioters wrecked furniture and destroyed art: a seventeenth-century French clock, a painting by Emiliano Di Cavalcanti, an ancient Chinese vase. The vandals broke nearly everything they encountered, but they were stopped at a glass door outside Lula’s private office by his personal security team—a group of longtime loyalists, which includes a former federal police officer who oversaw Lula’s imprisonment and then went to work for him after he was freed.

From São Paulo, Lula and his team worked to assert control, starting by organizing the dismissal of the Bolsonaro official who led the district police and replacing him with a loyalist. As they scrambled, Lula received a phone call from his minister of defense and the chief of staff of the armed forces. They proposed that he sign a “law-and-order assurance”—a directive that would effectively hand them power to reëstablish control. Lula refused, fearing that it was the first step in a coup. Instead, he ordered military police to retake the buildings of the Three Powers. The Supreme Court and the Planalto Palace were quickly secured, and then officers turned their focus on Congress, deploying horses, water cannons, and pepper spray to clear the building and the roof. As helicopters dropped tear gas, protesters ran, coughing and struggling for air. By about seven o’clock that evening, the building had been cleared.

Despite the ferocity of the violence, many Brazilians believed that it was less an attempted coup than an act of political theatre. People took selfies and FaceTimed friends. One rioter, streaming video as he entered Congress, asked viewers to subscribe to his YouTube channel. Venders sold spectators grilled chicken and cotton candy. “On the surface, 1/8 was a resounding failure,” João Moreira Salles said. “The mob ransacked empty buildings and didn’t even try to occupy them. It was more of a simulacrum of a coup, a spectacle—a coup for the Instagram age.”

The lawlessness of the attack had demonstrated Bolsonaro’s hold on his loyalists, but it had also damaged him politically. “It means the end of Bolsonaro as a democratically viable candidate,” Moreira Salles argued. Soon after the elections, Bolsonaro had fled to Florida, and reportedly was staying near Orlando, as the guest of the Brazilian mixed-martial-arts fighter José Aldo. After four turbulent years as President, he suddenly didn’t seem to have much to do. He looked for a church to join. One afternoon, he was spotted sitting alone at a KFC, eating fried chicken out of a box. Admirers reported, with astonishment, that they had been able to drop by his house for a chat. “He’s completely isolated, and his influence is reduced to the fringe of Brazil’s extreme right,” Moreira Salles said. “Flying to Disney when the going gets tough is not exactly conducive to becoming the next strongman.”

The Biden Administration has said that it would take seriously a request to extradite Bolsonaro, but Lula has not yet submitted one. Even from Orlando, though, Bolsonaro can have an effect on Brazilian politics. Like many of his supporters, he is a skilled provocateur. During his Presidency, his opponents faced such vicious attacks online that Brazilians spoke about a clandestine “office of hate,” run by Bolsonaro’s allies. The P.T. is less adroit on social media. (Its leaders are largely older; one told me that sixty is considered young.) Members of Lula’s administration told me that the solution was greater regulation of the media, particularly on the Internet. “You can allow total freedom, but you cannot allow evil, hatred, the encouragement of lies to gain space,” Lula said.

In Moreira Salles’s view, people who were radicalized online were unlikely to succeed in toppling the government. “The danger is of an endless repetition of smaller January 8ths around the country,” he said. “Roads blocked, refineries occupied, that sort of thing. If they can’t seize power, then the next best thing is to make the current Presidency utterly chaotic.”

Still, the threat of political violence remains real; in December, police stopped a bomb plot against Lula. People close to him are particularly concerned about the military, and perplexed by its reluctance to quell the violence on January 8th. It has bases near the Three Powers buildings, and its troops secured the compound during a demonstration in 2017—but this time, despite repeated requests in the preceding days to step up security, it had intervened late, and seemingly halfheartedly. At least fifteen members of the military and the security forces are linked to the insurrection, including a retired senior officer of the Navy and a retired general of the Army reserves.

On Paulista Avenue, in São Paulo, a raucous crowd celebrated Lula's victory in the Presidential election. Photograph by Larissa Zaidan.

When Bolsonaro was President, he handed over large swaths of the government to the armed forces, appointing more than six thousand military personnel to the civilian bureaucracy. To assert control, Lula knows that he will have to purge some officers and cultivate many others. It will be delicate, unpopular work. “The armed forces didn’t join Bolsonaro’s efforts to remain in power, otherwise he would still be in Brasília,” Moreira Salles said. “But they are not coming forward to condemn the events of January 8th. Lula has to decipher this silence and bring the military to his side. It’s going to be one of his hardest tasks. History shows that the armed forces in Latin America are not guarantors of democracy.”

Some of the politicians who benefitted from Bolsonaro’s rise are figuring out how to keep up their momentum without him. Sergio Moro, the judge who put Lula in jail, was for a time a kind of folk hero for right-wing Brazil. In the recent election, he launched a campaign for President before dropping out to support Bolsonaro, whom he coached through the debates. He also ran for the Senate, and won a seat, representing his home state of Paraná, in southern Brazil.

I met him in his office in Curitiba, the state capital, in a modern tower that stood above a downtown of tidy lawns, churches, and steak houses. A neatly groomed man with a deacon’s seriousness, he was imperturbable as we talked about his role in the political combat of the past few years.

When I asked why he had agreed to serve as Bolsonaro’s justice minister, Moro said that he had hoped to do some good for the country: “Who wouldn’t try that?” Before 2018, he said, he’d known almost nothing about Bolsonaro. When I noted that Bolsonaro was already famous for offensive behavior, Moro fidgeted. “I heard from a lot of people who said, ‘I’m relieved that you’re joining the government, because you will be the voice of moderation.’ And I never endorsed any kind of attacks, verbal attacks of the President against women or anything like that,” he said.

Moro pointed out that he had quit his post after a year and a half, after Bolsonaro forestalled a police investigation into one of his sons’ activities. When I asked if he believed that Bolsonaro was guilty of the offenses he had been accused of, he nodded. Then why had he rejoined him during the debates with Lula? “I have never recanted what I said in the past,” he said. “The past is the past. But, if you have a second round with two options, you need to make a choice.” But why imprison one politician you regard as corrupt and aid another? “Well, we are talking about different levels of corruption. And you need to consider other issues. I don’t believe in the economic thoughts of the Workers’ Party.”

Moro did not deny that Lula had won the election, yet he spoke sympathetically about the people who questioned his legitimacy. “I am against any kind of violence or any kind of coup,” he said. “But there are a lot of people unsatisfied with the return of Lula, because there’s this perception that the corruption scandals were not solved in a proper way. So these people believe that Lula should never have been a candidate.” Even before January 8th, he acknowledged that the protesters had “committed some mistakes.” But, he said, “I believe Brazilian democracy should give these people an answer and understand them, and not treat all of them as kind of villains. They are not. They have families—they have children.”

People close to Lula were grappling with the same essential concern: How could they bring Bolsonaro voters over to their side? Lula’s protégé Guilherme Boulos is a forty-year-old activist and politician. We met for breakfast in a buffet-style “kilo” restaurant, where customers pay according to the weight of the food piled on their plates. He lamented, “Before, the opposition was, if you will, civilized. We have a real problem in the countryside.”

As the founder of the Homeless Workers’ Movement, Boulos spent years organizing takeovers of disused buildings to provide shelter for Brazilians in need. He won a legislative seat in the recent elections, and will work closely with Lula. When I asked about the bolsonaristas, he said, “We have to learn to talk to those people.” But he suggested, in the tones of a New Yorker talking about Texans, that Brazil’s rural areas were effectively a different country. “It’s a mostly right-wing culture, which revolves around the idea that one’s properties must be protected from left-wing land invasions,” he said. “Its economic program is neoliberal, and it is socially moralistic. Therein lies our problem: the left hasn’t attended to this sector, and it really has to, if it wants to defeat bolsonarismo.”

Lula, he said, “has an extraordinary capacity to govern and to articulate points in common with different sectors.” But the past four years had made bridging the differences much more difficult: “Bolsonaro didn’t govern—he set out the guideposts for an ideological battle, and he almost beat us by nearly winning reëlection!”

Boulos estimated that bolsonarista extremists represented ten to twelve per cent of the Brazilian population: “These are the people who don’t believe in the pandemic, who defend the use of torture, and who believe that the Earth is flat.” The key, he said, was to improve their economic opportunities. “There are those who say Brazil has increasingly become a polarized country. I’d argue that it’s always been polarized. Think of it: this country is the third-largest food producer in the world, while thirty million of its citizens go hungry, and one per cent of the population owns most of the resources. Of course there’s going to be polarization!” He reminded me that when Lula left office the electorate had overwhelmingly supported him—“because their lives were better!” Now, though, there was less money flowing; the economy was in a downturn, and the country was still recovering from the pandemic. “Lula’s margin of maneuverability will be reduced,” he said.

In the weeks after Lula won the election, he often seemed as if he hoped to simply return the country to the time before Bolsonaro took over—when the Amazon was less imperilled, the economy was thriving, and Brazil was in a cohort of fast-ascending countries. “It was the best moment of social rise of the poor people in Latin America,” he told me in São Paulo, adding, “Let’s recover the brics!”

Four days after the January 8th insurrection, his administration released its economic plan, which called for restoring the Bolsa Família, increasing aid to the poor, rolling back privatization, and increasing taxes on gasoline. According to Brian Winter, the editor of Americas Quarterly and a longtime analyst of Brazilian politics, “The announcements basically got a C-plus from the markets—nobody too excited, nobody too upset.” But Winter was not optimistic that Lula’s government would be able to spend its way out of a decade-long slump.

Recovering the Amazon will be harder still. During Bolsonaro’s term, as ranchers and miners cleared land, fires consumed an area of rain forest estimated to be the size of Belgium. The region is rife with anti-government sentiment, and Lula and his allies are effectively asking residents not to take advantage of the valuable resources around them. One rancher I spoke with said, “How can you live on top of a treasure chest and not be able to do anything with it?”

Lula’s environment minister is Marina Silva, who served for five years during his first tenure but resigned in frustration over his desire to balance conservation with development. Now Lula had called her back, promising a zero-tolerance policy on deforestation. Silva, a rubber tapper’s daughter of Black Brazilian descent, is an evangelical Christian, a soft-spoken, long-haired woman in her sixties. At her office in Brasília, she told me that she hoped to expand sustainable agriculture while halting illegal deforestation. She acknowledged that there would still be violations of environmental laws, and that the process would take time. “We won’t be able to do this in four years—that would be utopian,” she said. “The problem during Bolsonaro was that the transgressors had total impunity. With Lula, at least, the expectation of impunity will end.”

Lula and his aides are conscious that the world will judge them less by the details of ordinary governance than by their handling of monumental crises: the collapse of the environment and the near-collapse of democracy. Simone Tebet, his planning minister, told me, “President Lula’s big problem is not just economic. He can solve the problem of inflation, the problem of unemployment, reduce social inequality, reduce the percentage of poor people in Brazil. But, if you don’t work on political pacification and unity, in four years’ time bolsonarismo will come back with force.” At seventy-seven, Lula had only one term left, and a great deal to do, Tebet reasoned. “He wants to clean the soul of Brazil,” she said. “He wants to halt injustice. I have no doubt that he will assemble a team for this. What worries me is whether he will have the strength, ability, discernment to understand that his main role is not just these four years. It is building bridges so that we can, in 2026 and 2030, have democratic governments in Brazil.”

Jon Lee Anderson

12.4.21

Brazil’s COVID-19 Crisis and Jair Bolsonaro’s Presidential Chaos

In the past few weeks, Brazil has had the world’s highest covid-19 death count, a predicament which seems to have been driven by Jair Bolsonaro’s response to the crisis.Photograph by Lalo de Almeida / Folhapress / Panos Pictures / Redux

Is the President’s do-nothing approach to the pandemic finally becoming a threat to his political future?

Among the images by the Brazilian photographer Mauricio Lima that accompanied a recent Times article about his country’s covid-19 crisis, two tell a story that should feel familiar to Americans. In one, supporters of the country’s populist right-wing leader, President Jair Bolsonaro, many of them draped in the colors of the national flag, protest against lockdown measures. In the other, health-care workers disguised in hazmat suits demonstrate in support of such measures. Other photographs offer glimpses of a society overwhelmed by the pandemic—doctors tending to patients in an emergency field tent, a coffin-maker and a gravedigger at work.

Today, Brazil ranks second only to the United States in the total number of deaths from covid-19, with more than three hundred and fifty thousand fatalities. In the past few weeks, it has had the highest covid death count, and it is the home of the most worrisome variant, P.1, which is now spreading through Brazil’s neighbors in Latin America and several other nations, including the United States. (P.1, which is sometimes called the Manaus variant, for the Amazonian city where it was first detected, last year, is thought to be up to almost two and a half times more transmissible than the other known covid variants. Thousands of people have already died of covid-19 in Manaus, from where it spread throughout the Amazon region.) A third of all covid-19 deaths are now occurring in Brazil, which has less than three per cent of the global population, and the country’s vaccination rollout has been slow—about twelve doses per hundred people. (Chile, by contrast, has delivered sixty-two doses per hundred.)

On April 5th, with close to four thousand Brazilians dying every day, some from asphyxiation due to a lack of oxygen supplies, and the I.C.U.s of many Brazilian hospitals at near-maximum capacity, an opinion piece published by the authoritative British Medical Journal argued that the colossal scale of Brazil’s health emergency could have been avoided. The authors, three Brazilian medical professionals, state that Bolsonaro has been intentionally negligent in adopting a strategy to “achieve herd immunity through contagion.” They conclude, “In our opinion, the federal government’s stance may constitute a crime against humanity.”

Brazil’s predicament does seem to have been driven by Bolsonaro’s responses, which have been imitative of those adopted by former President Donald Trump, whom he openly admires. From the outset of the crisis, Bolsonaro has waffled on mask-wearing, opposed lockdowns, promoted hydroxychloroquine as a preventative remedy, and eschewed a federal response to the pandemic. In public statements, he has derided covid-19 as “mere sniffles,” while telling Brazilians that “we all have to die sometime.” Even after he contracted the virus himself, he rarely wore a mask in public. Most recently, he berated Brazilians for “whining” and told them to stop being “sissies,” while discouraging them from getting vaccinations—and joking that, if they do, they might “turn into crocodiles.”

He has also inveighed against governors and mayors who sought to mandate lockdowns, on the ground that they violated individual freedoms and would harm the economy, and said that he would not deploy “his” troops to enforce such measures. And his government initially did nothing when pharmaceutical manufacturers started making vaccines available last year, rejecting an offer to buy tens of millions of doses from Pfizer and publicly ridiculing China’s vaccine program; the then foreign minister, Ernesto Araújo, accused China of intentionally spreading covid-19, which he called the “communavirus.”

Bolsonaro’s do-nothing approach to the pandemic notwithstanding, his popularity among his base, which accounts for some thirty per cent of the electorate, has remained steady. But, in recent weeks, other pillars of his support—including in the military and the powerful agribusiness sector, and also a right-of-center coalition in the National Congress—have begun expressing discomfort, leading to talk in political circles of possible impeachment proceedings against him. In a country where two Presidents have been impeached in the past thirty years, such talk has to be taken seriously. And it follows a Supreme Court decision last month to annul the criminal convictions of Bolsonaro’s nemesis, the former President Luiz Inácio Lula da Silva, who is now free to run for office again. All of which is said to have Bolsonaro extremely worried for his political survival. The next Presidential election is scheduled for October of 2022. Lula has not yet declared his candidacy, but it is widely assumed that he will do so; recent polls show him ahead of Bolsonaro.

Then came a stunning cabinet shakeup last month, which saw the replacement of Bolsonaro’s health minister (the fourth in a year) and the resignations of his foreign minister, Araújo, and defense minister, Fernando Azevedo e Silva, followed by those of the chiefs of the Air Force, the Navy, and the Army. (In all, six cabinet ministers left office.) There were rumors that Bolsonaro had attempted to involve the military in what is traditionally known in Latin America as an autogolpe—a self-coup—wherein leaders seize dictatorial powers in an effort to extend their authority.

It emerged that, in fact, Araújo was asked to resign because members of Congress, as well as figures in the influential agribusiness sector, had complained that his far-right, anti-Beijing rhetoric was upsetting Brazil’s principal customer for soy exports, and also complicating vaccine-purchase negotiations. Bolsonaro apparently fired Azevedo because he had refused to replace the Army commander, General Edson Pujol, who had stressed the need for the military to be independent from politics. In public comments that were seen as a rebuke of Bolsonaro, Pujol and another senior officer had also defended tougher measures against covid. The resignations of Pujol and the other two military chiefs, in solidarity with Azevedo, signified a clear breach between Bolsonaro and the senior military establishment. Azevedo, in his resignation letter, seemed to be speaking for all of them when he said that, during his year in the job, he had “preserved the institutional integrity of the armed forces.”

While Bolsonaro may have alienated some top military officials, he still has significant support among the rank and file, and military men continue to hold many posts in his government, including the Vice-President, Hamilton Mourão. Bolsonaro also replaced the minister of justice with a federal police chief who has worked closely with the so-called Bullet Bench, a congressional lobby that supports a looser gun-ownership law that Bolsonaro has been trying to get approved. Analysts say that the appointment shows Bolsonaro’s intention to curry favor among the police forces and conservative law-enforcement circles more broadly.

Prominent observers, including Oliver Stuenkel, a political scientist at São Paulo’s Getulio Vargas Foundation, think that Bolsonaro is laying plans to stage his own “January 6th,” in order to stay in power, if next year’s elections don’t go well for him. (Already, Bolsonaro, echoing Trump, has been warning of election “fraud.”) Eduardo Bolsonaro, a member of the Chamber of Deputies (the lower house in Congress), who is the most hard-line and outspoken of the President’s four sons, publicly lauded the storming of the Capitol, saying that, if the insurrectionists had “been organized,” they could have kept Trump in the White House. (Eduardo is close to the former Trump adviser Steve Bannon, who named him to represent South America in the Movement, his mooted global organization of right-wing nationalist leaders.)

Stuenkel believes that Bolsonaro is working to shore up his support in the military—at least, among those who have not demonstrated a preference for working in a democratic framework—while also trying to insure that he would have the backup of the military police. “If the Army stands back during a Brazilian January 6th, and the military police are with him,” he said, “I think it could be enough for things to end his way.”

With the cabinet shakeup, then, Bolsonaro has secured some room for political maneuvering, and he is also showing an ability to alter course for survival’s sake. In the past few weeks (and after Lula told Brazilians to “get vaccinated”), Bolsonaro declared that he is in favor of vaccines, after all, even as he continues to promote a questionable “covid kit,” comprising a cocktail of hydroxychloroquine and other drugs, which hospital officials say has unproved benefits and possibly fatal consequences; several Brazilians have reportedly been hospitalized and died after taking it.

Richard Lapper, a longtime British observer of Brazilian politics and the author of the forthcoming book “Beef, Bible and Bullets: Brazil in the Age of Bolsonaro,” told me that, “if Bolsonaro continues with the existing covid policy, he is going to lose the more traditional conservative part of his base and be much more dependent on the hard-line ideological supporters, and that, in turn, sets the scene for much greater conflict.” Lapper predicts that there will be more external pressure on Bolsonaro, too, as the P.1 variant spreads further across Latin America; several neighboring states have already banned flights to and from Brazil.

I recently asked Lula how he views the situation. Last Tuesday, in a WhatsApp message, he replied, “I have said for many years, and history teaches, that when people negate politics, what comes next is always worse. And in Brazil there was a very violent campaign against politics, to take the left out of the government, which ended up resulting in Bolsonaro, in a phenomenon similar to Trump in the United States.” He added, “You overcame Trump, and Brazilian society will overcome this accident called Bolsonaro.”

In the meantime, he said, “We need to speed up vaccinations, provide economic assistance to those who are unemployed and starving, and create a credit line to help micro- and small business. President Bolsonaro needs to stop talking and doing nonsense. But the solution to the coronavirus problem can only be a global one. It is necessary for rich countries to forget geopolitical divergences in order to discuss the production of vaccines and the vaccination of all. What we are experiencing is a war of nature against humanity, and for the time being the only weapon is the vaccine. That is why it has to be transformed into a public good financed by the states, so that the vaccine is guaranteed to all the inhabitants of the planet. We will not beat covid with each country acting individually.” That day, forty-one hundred and ninety-five Brazilians died of covid-19, nearly three thousand more than had died the day before—with, as things currently stand, many more deaths to come.

29.3.21

Why Astrud Gilberto Is So Much More Than ‘The Girl From Ipanema’


A pioneering bossa nova singer, Astrud Gilberto made her name with ‘The Girl From Ipanema’, but she has had a long and varied career.

The song “The Girl From Ipanema” sold nearly five million copies worldwide, helped introduce bossa nova to the world beyond Brazil and made a star of 24-year-old singer Astrud Gilberto when it was released as a single by Verve Records in May 1964.

Gilberto, who was born on March 29, 1940, was not actually from Ipanema. She was born in Salvador, Bahia, in north-eastern Brazil, the daughter of Evangelina, a Brazilian, and Fritz, an immigrant professor. They named their daughter Astrud, after a goddess from Fritz’s native Germany. Fritz Weinert taught languages, and Astrud grew up to be fluent in Japanese, French, Italian, Spanish, Portuguese and English.

“In my mid-teens I was part of a gang of youngsters who were involved with music,” she recalled in 1981. “Through them, I met João Gilberto, who invented the concept of bossa nova. We were married, and I sang at home with João and did a couple of college concerts with him as a special guest.”
“Today there will be a surprise for you”

Gilberto’s life changed forever in March 1963 when she accompanied João to A&R Studios in Manhattan while he recorded the album Getz/Gilberto with the renowned jazz saxophonist Stan Getz. They were about to create one of the biggest-selling jazz albums of all time, a record that turned millions of people on to jazz and the rhythms of Brazil. Getz/Gilberto stayed in the album charts for 96 weeks and, in 1965, won Grammy awards for Album Of The Year, Best Jazz Instrumental Album, Individual Or Group and Best Engineered Recording – Non-Classical. “The Girl From Ipanema” also won Record Of The Year.


Antônio Carlos Jobim played piano on the album, as well as being the musical director and composing the music for eight of its songs, including “The Girl from Ipanema.” Astrud recalled that, just before the first rehearsal, her husband told her cryptically that “today there will be a surprise for you”. At the studio, the guitarist turned to Getz and said, “Tomorrow Astrud will sing on record… what do you think?” Getz agreed to give that a try.

The first voice heard on the famous song was Gilberto’s, as he sang Vinícius De Moraes’ Portuguese lyrics, while gently strumming his guitar. This was followed by Astrud, singing her celebrated verses in English: “Tall and tanned and young and lovely/The girl from Ipanema goes walking/And when she passes, each one she passes goes, ‘Ah’.”
“I knew the song was going to be an absolute smash”

Her beguiling voice had a powerful allure for the public, who loved the fresh and sensual way she sang about the song’s protagonist, a “beautiful, beautiful girl” called Helô Pinheiro, a teenager whom Jobim and De Moraes used to watch on Ipanema beach while they drank at the Veloso Bar.

The experienced producer Creed Taylor, the man who had signed John Coltrane for Impulse! Records in 1960 and who oversaw Verve albums by Wes Montgomery, Jimmy Smith and Cal Tjader, knew they had captured something special from the young singer. “The surprise was when Astrud came in with her little voice and sang with that accent,” Taylor recalled. “I knew the song was going to be an absolute smash.”

As well as singing on “The Girl From Ipanema,” Astrud Gilberto was also the vocalist for the song “Corcovado” (“Quiet Nights Of Quiet Stars”), which features some enchantingly delicate accompaniment from Jobim and a brilliant solo from Getz. “The Girl From Ipanema” gained Astrud fans throughout the world – her songs have been chosen for the BBC radio show Desert Island Discs by people as diverse as writers JG Ballard and Haruki Murakami, comedian Paul Merton and the late England football manager Bobby Robson.
“They resorted to lying!”

One of the problems with the history of “The Girl From Ipanema” is that Getz gave a misleading, sexist interview to the UK magazine Jazz Professional in 1966, claiming credit for Gilberto’s success. “When I first heard Astrud, I thought there was something innocent and demure in her voice – such an opposite to these chesty-voiced girls singing rock’n’roll,” Getz told interviewer Les Tomkins. “It was like a breath of fresh air. I was doing an album with her husband, João, who I love – he’s a genius. She was just a housewife then, and I put her on that record because I wanted “The Girl From Ipanema” sung in English – which João couldn’t do. “Ipanema” was a hit and that was a lucky break for her.”

Getz’s boast, and condescending “housewife” remark, still rankled with Gilberto nearly two decades later: “The funny thing is that after my success, stories abound as to Stan Getz or Creed Taylor having ‘discovered me’, when in fact, nothing is further from the truth. I guess it made them look ‘important’ to have been the one that had the ‘wisdom’ to recognize talent or ‘potential’ in my singing… I suppose I should feel flattered by the importance that they lend to this, but I can’t help but feel annoyed at the fact that they resorted to lying!”

In fact, the young Astrud had grown up steeped in music. Her mother, a teacher, sang and played the violin and the Brazilian banjo-like instrument called the bandolim. Astrud’s sisters, Iduna and Edda, also played the piano. She was close friends with musicians throughout her teenage years, hanging out with songwriters Carlos Lyra, Oscar Castro Neves, Roberto Menescal and Ronaldo Boscoli. Another friend, singer Nara Leão, introduced her to João Gilberto. In 1959, aged 19, Astrud married the 28-year-old guitarist, who became an early mentor. She sang regularly with her husband and his friends over the next three years and had even performed in public at the Faculdade De Arquitetura, part of one of Rio De Janeiro’s top universities, in a prestigious concert.

Her rise to stardom was so quick that she was signed up to perform her hit song – wearing a pale-blue sundress with matching bow – in the December 1964 MGM film Get Yourself A College Girl, appearing alongside The Animals, The Dave Clark Five and jazz organ great Jimmy Smith, in a college romance movie directed by Sidney Miller, a man who went on to direct the hit television show Bewitched. The success of Getz/Gilberto made her a hot property and led to an appearance at the Cafe Au Go Go in Greenwich Village, in a group led by Getz.

Gilberto looked back on this period with deep regret. She admitted she was “naive and frightened” and unhappy at the lack of credit for production work she received for later albums. She was financially exploited and admitted, sadly, that she had “lacked guidance”.
“I was coping with being on my own for the first time”

Her fame brought unfair criticism from journalists back home. “Many established Brazilian musicians never accepted Astrud’s success. They portrayed her as lucky rather than talented, in the right place at the right time,” said music writer Bryan McCann in his book Getz/Gilberto. She later confessed she was “very hurt” by the “harsh criticism and unwarranted sarcasm” she received from reporters in her homeland. Newspapers publicized rumors that she was involved in a romantic liaison with Getz. She never sang again in Brazil and was not present when “The Girl From Ipanema” was used in the opening ceremony of the 2016 Rio Olympics.

One of the reasons Astrud toured with Getz as a “special guest vocalist” for the following six months was that she was separating from her husband – they divorced and he quickly remarried, to a singer called Heloisa Maria Buarque De Hollanda – and needed financial security. She came to regret signing a contract that paid a “slave salary”. She needed money to support her son Marcelo. “Very difficult times,” she said in 2002. “Besides being in the midst of a separation and dealing with the responsibilities of being a single mother and a brand new demanding career, I was also coping with being on my own for the first time in my life, in a foreign country, traveling with a child, having financial difficulties… and, of course, sadly, totally naïve and unprepared to deal with the ‘wolves posing as sheep’.”

Marcelo Gilberto later became a talented bass player himself, joining her group in the early 80s, and also playing the role of her manager and “guardian”. Another son, Gregory Lasorsa – fathered by Astrud’s second husband – is a guitarist who has also recorded with his mother and half-brother, on the song “Beautiful You” from the 1997 album Temperance.
“A highlight of my career”

When she parted from Getz, Astrud Gilberto finally got the chance to take charge of her own career. She said she “never looked back”. Her first solo concert with her own group actually took place in London, in 1965, at a new club called The Cool Elephant. It was a fashionable nightspot in Mayfair in which Princess Margaret and Dudley Moore, Peter Sellers and Britt Ekland hung out – and a place where visiting American stars such as Mel Tormé sang.

Gilberto had always been into jazz – she grew up listening to Chet Baker, Duke Ellington and Gerry Mulligan – and got one immediate boost in her post-Getz career with the chance to sing alongside trumpeter Baker (“an idol”) at a jazz club in San Francisco. Baker suddenly announced that there was “a very special young lady” in the audience – and invited Astrud up to join him for a duet. They ended up performing a bossa nova version of “Fly Me To The Moon.” The pair collaborated again in 1977, on a version of a song she had written called “Far Away.” She called the experience “a highlight of my career”.

She was never comfortable being labeled a jazz singer, though. “What is a jazz singer?” she remarked to The New York Times in 1981. “Somebody who improvises? But I don’t: I prefer simplicity. I’ve been told that my phrasing is jazz-influenced. My early albums were recorded for a jazz label, Verve. My first record was with Stan Getz. And I did an album with Gil Evans. So I guess that’s where the jazz idea comes from. But I’m not a pure jazz singer.”

Astrud made eight fine albums for Verve – The Shadow Of Your Smile and The Astrud Gilberto Album (both 1965); A Certain Smile, A Certain Sadness, with Walter Wanderley, and Look To The Rainbow (both 1966); Beach Samba (1967); Windy (1968); I Haven’t Got Anything Better To Do and September 17, 1969 (both 1969) – before she moved on to other projects.


Among her interesting work after leaving Verve was the 1971 album Gilberto With Turrentine, a collaboration with the brilliant jazz saxophonist Stanley Turrentine, and Plus, made with James Last and recorded for Polydor in 1986. One of the most high-profile recordings of her latter-day career was with pop star George Michael, who had admired her album with Last. A friend told her that Michael loved her singing, but at the time she did not know anything about the former Wham! star. She sent Michael a Western Union telegram and he came to hear her sing at Madison Square Garden in New York. In 1996, they reconnected when Michael asked her to perform on a charity record for AIDS research. They recorded a lovely version of “Desafinado” in London.
“Being close to the public was frightening”

As the 20th Century ended, Gilberto began slowing down her live performance commitments – she said she always found that being “close to the public was frightening” – and moved to Philadelphia with her new husband, though they later separated. She grew interested in philosophy and was particularly enamored of Wayne W Dyer’s self-help book Your Erroneous Zones, describing it as “a life-saving device”.

Astrud Gilberto’s father had been a passionate artist – he painted with oils on canvas – and his daughter followed in his artistic steps, making her own computer-generated works such as Digital Babe, or creating original acrylic-on-canvas paintings such as King Of The Jungle. After announcing, in 2002, that she was taking “indefinite time off” from public performances, she has spent much of her time campaigning against cruelty to animals. The singer has not been forgotten by music fans, however. In January 2020, Gilberto appeared in an NPR list of women who deserve to be in the Rock And Roll Hall Of Fame.

Though “The Girl from Ipanema” has been covered hundreds of times, including by Frank Sinatra, Amy Winehouse and Madonna – and has even been sent up as an elevator muzak-style instrumental for a troupe in John Landis’ comedy masterpiece The Blues Brothers – there is no doubt that the unbeatable version of this classic 60s song is the one featuring Astrud Gilberto, the eternal goddess of bossa nova. When she was asked “What are the best things in the world?” she replied with characteristic simplicity: “That’s an easy one… children, animals and music.”


Carlos Alves de Sousa

28.2.21

Bossa Nova: The History Behind Brazil’s Quiet Revolution


In the early 60s, Brazil initiated a quiet musical revolution by exporting the silky sound of bossa nova to the rest of the world.

1964 was a significant year for pop music. It not only witnessed the meteoric rise of the long-haired, guitar-toting beat groups, led by such pace-setting bands as The Beatles and The Rolling Stones – who started a trend of songwriting self-sufficiency – it also marked the arrival on the world stage of a new kind of jazz-infused music that blended sinuous, caressing melodies with subtle syncopated rhythms. The sound originated in Brazil and was called “bossa nova,” a description that translated into English as “new trend.”

Girl From Ipanema

The song that lit the touch-paper for the bossa nova explosion in the US and the rest of the world was called “The Girl From Ipanema,” sung by Astrud Gilberto in a wispy but beguiling girlish voice, and which reached No.5 in the US pop singles chart in the summer of 1964.

The song transformed Astrud into an international star, even though it wasn’t solely hers – “The Girl From Ipanema” was a collaboration between her then-husband, singer and guitarist João Gilberto, with jazz tenor saxophonist Stan Getz, and it featured on the 1963 Verve album Getz/Gilberto. An amateur singer, Astrud had been drafted in during a moment of last-minute spontaneity to sing opposite her husband, but her presence proved utterly spellbinding. The much shorter single version of the song edited out João’s vocals almost completely, spotlighting, instead, his young wife, who would go on to make records under her own name from 1965 onwards.
After the phenomenal success of “The Girl From Ipanema,” bossa nova fever gripped the US. Many musicians – particularly jazz ones – were attracted by the music’s delicate melodies, lush harmonies, and slinky syncopation, and began recording authentic Brazilian material as well as reconfiguring standard songs using bossa nova-influenced rhythms.

The Birth Of Bossa Nova

Bossa nova’s story really began in 1958, in Brazil. One of its key architects was Antônio Carlos Jobim (1927-1994), a classically-trained Rio De Janeiro-born pianist who also played the guitar, sang, and wrote songs. He had risen to fame in Brazil as the composer of music for a 1956 play, Musicas De Orfeu Da Conceição (which inspired the influential 1959 movie Black Orpheus), and as that decade progressed, he helped to fuse elements of jazz with indigenous Brazilian music to create what became known as the bossa nova sound.

Among the first singers to record Jobim’s bossa nova material were Elizete Cardoso (who recorded an entire album of his songs), Sylvia Telles, and, most significant of all, João Gilberto. Between 1959 and 1961, Jobim worked on Gilberto’s first three albums in Brazil, helping to establish the quiet-voiced singer/guitarist as a new star in his native country.

But Gilberto’s fame soon spread outside of Brazil. By 1961, American musicians visiting the country – among them flutist Herbie Mann and guitarist Charlie Byrd – had played alongside Brazilian musicians and enjoyed a first-hand experience of the burgeoning bossa nova movement. Back in Washington, DC, saxophonist Stan Getz saw Byrd’s band live, heard them play some bossa nova tunes he liked, and requested they record an album together.

Bossa Nova Comes To America

Aided by producer Creed Taylor, Getz and Byrd were recorded in All Souls Unitarian Church, in Washington, DC, and the results were released as Jazz Samba on Verve Records in April 1962. Its success (it spent 70 weeks on the US pop album charts, peaking at No.1) was aided by its high-flying single, a blissful version of Jobim’s “Desafinado,” which made No.15 on the US Hot 100 in November 1962 and later won a Grammy. Jazz Samba not only helped to sow the seeds of North America’s love affair with Brazilian music, it also gave new impetus to Stan Getz’s career. Indeed, the saxophonist would continue to record bossa nova songs on a regular basis right up until his death, in June 1991.

America’s awareness of bossa nova music was heightened by a concert held at Carnegie Hall at around the same time as Jazz Samba’s release, on Wednesday, November 21, 1962. The auditorium was packed to the rafters with almost 3,000 attendees, including many jazz musicians curious to hear the exciting new music up close. They witnessed bossa nova’s prime progenitors – Jobim, Gilberto, Luis Bonfá, Sérgio Mendes, Carlos Lyra, and others – performing with Getz, Byrd, and pianist and soundtrack composer Lalo Schifrin.

The Bossa Nova Explosion

The concert’s critical and commercial success inspired a raft of jazz musicians who were excited by the improvisational possibilities that bossa nova presented. Dizzy Gillespie, Quincy Jones, Wes Montgomery, Cannonball Adderley, Jimmy Smith, and Oscar Peterson are just some of the big names that embraced the seductive sound of Brazilian music in the 60s. Even some of the most famous pop groups of that era were inspired by the hip sound that had first emanated from Rio’s beach cafes; groups such as The Beatles (“And I Love Her”), The Kinks (“No Return”), and The Beach Boys (“Busy Doin’ Nothin’”) brought a bossa nova flavor to some of their songs, while a plethora of big-name singers covered Brazilian material. Two vocal giants, Frank Sinatra and Ella Fitzgerald, devoted whole albums to Antonio Carlos Jobim’s songbook.

The Importance Of Antonio Carlos Jobim

Both Sinatra and Fitzgerald recognized that Jobim was a musical giant whose stature as a songwriter rivaled the North American greats that they so admired, like George Gershwin and Cole Porter. Indeed, Jobim was responsible for writing so many of bossa nova’s key songs, including “The Girl From Ipanema,” “Desafinado,” “One Note Samba,” “Photograph,” “Insensatez” (AKA “How Insensitive”), “Corcovado,” and “Meditation.”

The composer also enjoyed a long and distinguished recording career, and his success helped other Brazilian musicians find an international audience with their music – among them pianist Sérgio Mendes (who scored substantial US hits with his group Brasil ’66 in the late 60s), organist Walter Wanderley, guitarist Luis Bonfá, singer-songwriter Gilberto Gil, and chanteuse Elis Regina, who recorded a duets album with Jobim in 1974.

The Enduring Appeal Of Bossa Nova

Summing up the appeal of bossa nova music, Sérgio Mendes told this writer in 2019: “I think it’s very sensual, it’s very romantic, and you can also dance to it. Those three components make it very, very beautiful. And it has great melodies – melodies that you can remember.”

Indeed, it does. With its hushed intimacy, poetic lyrics, alluring melodies, and mesmerizing rhythms, bossa nova music continues to cast a spell 60 years after it first came into the world. It possesses an ineffable quality that just seems to epitomize coolness, transcend time, and transport the listener to another place.

Carlos Alves de Sousa