Showing posts with label Malaga Festival. Show all posts
Showing posts with label Malaga Festival. Show all posts

5.6.21

Riki Rivera hits the big screen with "Operación Camarón"


Perfect Boy 'is composed by Riki Rivera and is the main theme of' Operación Camarón '

'Operación Camarón', a comedy directed by Carlos Therón (Director of 'I leave it whenever I want', 'It's for your good'), will participate in the Official Out-of-Competition Section of the 24th Edition of the Malaga Festival.

The presentation of the film will take place next Friday, June 4 in the Malaga capital and will have the participation of its director and the main cast, which include Julián López, Natalia de Molina, Carlos Librado 'Nene', Miren Ibarguren, and the composers of the film's soundtrack, Riki Rivera and Violetta Arriaza.

When Riki Rivera is asked about the work he has done with the team and especially with his director, Carlos Therón, he says that “it has been like being in a constant university. A swing of learning, guidelines, laws and new paths. I am eternally grateful to him for having conveyed all this to me with the utmost respect and patience. A capo. I would like to thank Álvaro Alonso and Manuel Yebra, the film's producers, for counting on me and always placing total trust, without doubting for a moment that we would create an OST according to the level of the entire production ”.

"Perfect Boy", the central theme of the film "Operación Camarón", is a Telecinco Cinema production that will be released on June 25 in all cinemas and that has the collaboration of Mediaset Spain in its support of European culture.

Perfect Boy, the central theme of the film, has already become for many a danceable hit for the summer, and its author has a lot to blame for this, who thus speaks of the work he has done when composing the OST, " The composition for this film had to be divided into two important parts. The first was to create the identity of the group. His sound, his songs and at the same time mark the style well, coarse messages of the way of composing and writing of the "Lolo" who is the one who writes the songs in fiction. I was lucky enough to compose the songs with Violetta Arriaza. A young author and singer with a lot of talent and a lot of taste for arranging and producing. On the other hand there are songs that are diegetic in various scenes. Playing on a radio, backstage, etc. This is where we have left many hidden messages in the film as a protest, who is criticized by the urban world, for example, gossip, etc. I was lucky to have the voice of Luitingo, a young Sevillian singer with a lot of art, hardworking to the max, for the two singles by Los Lolos. The second part of the musical space of this film has been all the incidental or extradiegetic part. We have created a hybrid between organic instruments, cajons, guitars, palms, etc., integrating them into programmed bases with a lot of urban character created exclusively for this film and we have added the symphony to it with great respect. Thus creating something that identifies the film the first time ”.

Synopsis of 'Operación Camarón' Unknown in the underworld, with the appearance of a slob and the skills of a classical concert performer, Sebas, a rookie policeman, is perfect for a dangerous mission: infiltrate as a keyboard player in Los Lolos, a flamenco-trap band that is going to play at the wedding of the daughter of a local dealer.

Finally, Riki Rivera, anticipates that "Operation Camarón" will leave the public with happy features and flow in the body because it is very loaded with pure ’Ange’.

Frank Ramos
Chus Gonzales
United Photo Press
#unitedphotopress

9.5.21

The fourth edition of MAFF gets set to showcase projects from twelve different countries


Director Michael Labarca, whose project Muchachos bañándose en el lago, a co-production between Venezuela and France, 
has been selected.

The Malaga Festival Fund & Co Production Event will be held online till 11 June, treating audiences to a taste of the rich diversity of Ibero-American cinema.

The Malaga Spanish Film Festival has announced its pick of projects for the MAFF (Malaga Festival Fund & Co Production Event), section of MAFIZ (Malaga Festival Industry Zone). This year’s selection includes entries from Portugal and Spain, reflecting the festival’s commitment to celebrating the Ibero-American world’s diverse linguistic and cultural identities and promoting its audiovisual industries. MAFF is organised by Malaga City Council and the Malaga Spanish Film Festival, in partnership with the Spanish Institute of Cinematography and Audiovisual Arts (ICAA), the Conference of Ibero-American Audiovisual and Film Institutes (CAACI), Ibermedia, the Federation of Ibero-American Film Producers (FIPCA) and European Audiovisual Entrepreneurs (EAVE).

Part of the 24th Malaga Spanish Film Festival, it promises a packed programme of online activities that will run till 11 June. The selected projects — each receiving a grant to cover two months of training in creative filmmaking and production — are: Amanda, directed by Sandra Gugliotta and Madreselva, by Ernesto Aguilar (both from Argentina); Bala perdida, by Juan Vicente Manrique and Esta bestia tan salvaje, by Valeria Ariñez (Mexico); El arte de la guerra (Peru) by Grecia Barbieri and Gonzalo Benavente Secco; Ida Vitale (Uruguay), by María Inés Arrilleda; Silencio (Brazil), by Enrique Santas; Sugar Island (Dominican Republic), by Johanné Gómez Terrero and Trenzadas (Puerto Rico), by Raisa Bonnet.

Featured European coproductions will include: Muchachos bañándose en el lago (Venezuela/France), directed by Michael Labarca; Os livros restantes (Brazil/Portugal), by Ralf Tambke; Tú no eres yo (Spain/Portugal), by Marisa Crespo and Moisés Romera; and Un hombre en un puente (Spain/France), by David Martín de los Santos. Finally, courtesy of Portugal comes Terra vil, directed by Luis Campos.

Meanwhile, the Social MAFF section will focus on topics that invite us to reflect on current issues impacting life in Spain, Portugal and Latin America. This section will feature El viaje del cocodrit (Panama), by Elio Barrigón, alongside a number of other projects presented in partnership with Sanfic Lab (Santiago International Film Festival) — Gemelos celestiales (Chile, directed by Niles Atallah — Cinemundi (Paralaxe (Brazil, by Ricardo Murad and Cao Guimarães) — Bolivia Lab — Las almas (Argentina, by Laura Bosombrío) — and the Directorate of Audiovisual, Sound Production and New Media) (DAFO) at the Peruvian Ministry of Culture — Devenir (Peru, by Ricardo Adolfo Amador Yui Hifume).

MAFF defines its mission as follows: to be the leading communication and networking platform for fund executives to get together and discover new projects in the early stages of development; to encourage innovative business and production models for new films with potential to attract international coproducers, with a view to distributing and promoting them in different markets and through different channels; to offer high-level creative, economic and financial advice to help filmmakers create viable, quality projects with strong prospects in the global market, thus boosting their international presence; and to provide a platform for new entrants in the world of film, creating content that reaches and resonates with viewers and engaging new audiences in a continuously expanding audiovisual scene.

United Photo Press photographers live in Malaga
Frank Ramos
Chus Gonzalez

22.8.20

Malaga Festival: Cinema in the Covid Times


In Malaga, opened the first major film festival to take place in Spain after the confinement dictated by Covid-19. 

The Malaga Festival aims to reach a wide audience with the panorama of film culture. Training, creativity and innovation come together in an activity that is characterized by its dynamic character in constant development and transformation. 9 days entirely dedicated to enjoying, learning and studying the trends of cinema, presenting the main projects of Spanish cinema.

Originally planned for March, the twenty-third edition of the festival has now opened with rules adapted to the situation. For example, the traditional parade of stars for the red carpet, which used to be a public event, was replaced by a photocall just for the press.

Says the actress Carolina Yuste: "This is very strange, but it has to be, because we have to be responsible. It’s a good thing that this year’s festival hasn’t been lost, because it’s an important impulse for people to go to the movies and to stay informed about the movies to see ".



Álvaro Cervantes, actor and member of the jury, also believes that it is important for the festival to take place: "We must continue with cultural life, festivals and protocols. 

This festival is important to give cinema and culture in general the boost it needs. they need to show that they are safe activities and thereby encourage other festivals to resume ".

The Malaga Festival is seen as a rehearsal for other festivals to be held in Europe, such as Venice and San Sebastián, which will also have to adapt to the new reality. The program had to be reduced from the 201 feature films initially planned to 152.

https://festivaldemalaga.com


United Photo Press photographers live in Malaga
Frank Ramos
Chus Gonzalez