Showing posts with label vinyl. Show all posts
Showing posts with label vinyl. Show all posts

27.11.24

The Power of Vinyl


“Anytime I meet another female record collector on the Internet or in person, I immediately want to be their friend!” says Erin O’Dell, a record collector, blogger, and factory worker from Red Lion, Pennsylvania. “I feel like we’re often overshadowed by the male perspective and designated as the ‘that’s nice, dear’ of couples in memes and forums. We love to spin and crate dig, too. We exist. We are valid. We want all the vinyl!”

In a male-dominated music industry, O’Dell is part of an active and passionate community of women on Instagram sharing their love of vinyl and helping to promote gender equity. This loose-knit, global sorority of record collectors and music-industry professionals meet up daily on a vast network of like-minded souls, both men and women, to celebrate their favorite artists and albums. Some are earnest collectors who simply post a treasured album cover accompanied by a mini-blog, while others stage lavish tributes to artists and their works, donning makeup and costumes to replicate album art. One Italian Instagram account even curates professional-quality pinups replete with vintage portable record players and scantily-clad models that look like they stepped off the pages of a 1962 Esquire spread.

But the playful pinups belie a deeper sense of empowerment that these enthusiasts are finding through vinyl. “Music can lift and light a fire inside of you that you didn’t know could even burn,” says O’Dell, who writes the monthly Vinyl Femmes & RPMs column. Music-marketing exec Sunny Muehleman Blashe of Milwaukie, Wisconsin (aka @puttherecordon) feels similarly inspired. “I love being part of the vinyl community [on Instagram],” she says. “Everyone is so nice and supportive. I’ve made so many friends who have shared new ways to store my records, and learned about vinyl cleaning products and even new music. I love seeing what albums or artists make other people happy and adding that to my collection. I also love sharing my collection with others who are like me. It gives us time to discuss why we love the music and how it makes us feel.”

Instagram also is helping women find jobs, thanks to organizations like Women In Vinyl, an advocacy group that shares inspirational stories and creates role models for girls and women. The group’s board members include founder and self-confessed Black Sabbath fanatic Jenn D’Eugenio, sales manager at Furnace Record Pressing in Alexandria, Virginia; Jett Galindo, a mastering engineer at The Bakery studio in Los Angeles; Amanda McCabe, a member of the Universal Music Group’s Strategy and Tactics Team in Seattle; and Robyn Raymond, a lacquer cutter and owner of Red Spade Records in Ontario, Canada. “Women in Vinyl, by sharing stories of women working in the field and now with the podcast, is making the industry more accessible,” says D’Eugenio, who founded the organization in 2018 and hosts the group’s new WIV podcast. “It’s about educating the community, and hopefully inspiring people to take a chance and find a way to do something they love. It’s not exclusive to women, but it’s brought to you by women and features women who are leaders in the field—you can’t move an industry forward without innovation and you can’t innovate in a vacuum. Innovation comes from diversity and that comes from inclusion. The more diverse and inclusive the industry is the better it can become.”

One of those women is Mary House, a single mom, stage-3 breast cancer survivor, and owner of Curious Collections Vinyl Records & More in Bryan/College Station, Texas, who found a new life through vinyl. In 2016, she was in the middle of a divorce when her father suddenly died in a car accident. “You see, my dad was a collector, so my brother and I went to West Virginia and cleaned out his seven storage units, two of which were climate controlled and filled with vinyl,” she recalled on the Women In Vinyl website. “I loaded up a 26-foot moving truck, drove that bad boy from West Virginia to Texas, and unloaded its contents into the space that was my first location. Since then, we’ve moved into a 2600-square-foot space and expanded our inventory to include turntables, new vinyl, and posters, right alongside the large, previously owned vinyl selection. I started my own collection when I opened my store. I love finding fun colored versions of albums I love.”

The significance of using record collecting as a gateway to personal empowerment is echoed by Markie Schlake of Cincinnati, Ohio (aka @VinylGal), a “full-time mom” and part-time social-media manager who encourages her Instagram followers to welcome newbies. “Collecting vinyl can seem very exclusive. Nick Hornby’s High Fidelity tells you that,” she says. “But if our world has taught us anything, it’s that inclusivity is key. Include others who are new to collecting; don’t exclude them because they haven’t been collecting since childhood or use a cheaper player than you. We all start somewhere, after all. Include those from all walks of life, all occupations and stations. Music was meant to bring people together, and collecting should, too.”
Carlos Alves de Sousa

4.6.22

June’s best new albums



This month’s wantlist

All the records to keep an eye out for this month, selected by VF’s Gabriela Helfet.


Salamanda
ashbalkum

(Human Pitch)

Due: 10th June

Conjuring silky lo-fi house and downtempo, South Korean producer duo Salamanda, aka Uman Therma and Yetsuby, ready their latest long player, ashbalkum, via Human Pitch. Alongside their house hypnotics, the duo incorporate influences including dub, reggaeton snares, dembow rhythms, ambient, and augmented vocals,. Written across the summer of 2021, it reflects the ennui and uncertainty of this time, “a portal into unseen worlds, enchanting stasis and laughter in the face of our evolving realities.”


Toshiya Tsunoda
Landscape and Voice

(Black Truffle)

Due: 10th June

Experimental Japanese sound artist Toshiya Tsunoda makes a rare and welcome vinyl outing with Landscape and Voice. As Tsunoda shares, the LP focuses on exploring “how I can establish a subjective relationship with an environment, rather than seeing it merely as an object to be recorded.” On Landscape and Voice, this is realised in three compositions. Each uses a field recording which is looped, fragmented, sliced and diced into distinctly unique formations. Expect a hypnotic journey into sound.


µ-Ziq
Magic Pony Ride

(Planet Mu)

Due: 10th June

Planet Mu head honcho Mike Paradinas, aka µ-Ziq, returns to the label for his fist LP since 2013, with Magic Pony Ride. As its name suggests, the record promises to be a fun-filled ride. Across its 12 tracks, Paradinas takes thematic inspiration from travels to Iceland, while sonically letting jungle lead the way.


S A D
Studia Spiritual

(12th Isle)

Due: 10th June

Weaving extraterrestrial synths with affecting tape distortion and funky rhythmic riffs, 12th Isle collects recordings from Vasily Stepanov and Vlad Dobrovolski’s S A D project. Incorporating influences spanning kosmiche, free jazz, and field recordings alike, Studia Spiritual hears the duo utilise a collage-style in their creative process. File under: yet another solid release from the always wonderful 12th isle, one that is perfect for ushering in all kinds of summer weirdness.


yaya bey
Remember Your North Star

(Big Dada)

Due: 17th June

Mixing soul, r’n’b jazz, reggae, Afrobeat, and hip-hop, Yaya Bey steps up on Ninja Tune’s Big Dada label with Remember Your North Star. “This album is kind of my thesis,” shares Bey. “Even though we need to be all these different types of women, ultimately we do want love: love of self and love from our community. The album is a reminder of that goal.” Count us in.


J. Rocc
A Wonderful Letter

(Stones Throw)

Due: 17th June

Inimitable producer, DJ, and Beat Junkies co-founder, J. Rocc returns to Stones Throw with A Wonderful Letter. The album was created as a sonic love note to his native Los Angeles. Revisiting his roots in the city’s underground beat and hip-hop scenes, the album, features cameos from Steve Arrington, The Egyptian Lover, The Koreatown Oddity, Budgie, MED. Stay tuned for a forthcoming VF Live featuring J. Rocc direct from Stones Throw’s Gold Line Bar later this month, too.


Binker Golding
Dream Like A Dogwood Wild Boy

(Gearbox)

Due: 17th June

Tenor saxophonist Binker Golding returns to Gearbox with his second solo album, Dream Like A Dogwood Wild Boy. This time around, Golding takes new inspiration from blues, rock, and Americana as a fresh launch point for his jazz musings. Written, arranged, and produced entirely by Golding, its seven tracks feature his signature sax alongside a band including Billy Adamson on guitars, Sarah Tandy on piano, Daniel Casimir on double bass, and Sam Jones on drums.


Zola Jesus
ARKHON

(Sacred Bones)

Due: 24th June

Unearthing “buried tools for bearing grief, loss, and disappointment,” Zola Jesus readies her latest album, ARKHON, on Sacred Bones. While she previously created her albums solo, on ARKHON Zola joins forces with producer Randall Dunn and drummer and percussionist Matt Chamberlain. Expect Zola’s signature cinematic vocal crescendos to pull you in, as per usual.


Ron Trent
What do the stars say to you

(Night Time Stories)

Due: 24th June

Chicago DJ and producer Ron Trent is back with his first full length LP in 11 years, featuring a bevvy of illustrious, and somewhat unlikely, collaborators in tow. Cameos across What do the stars say to you’s 10-tracks include Khruangbin, Gigi Masin, Jean-Luc Ponty, and Azymuth. The album sees Trent drawing on both live instruments and electronics, to create a record that is “designed for harmonising with spirit, urban life and nature.”


Hatis Noit
Aura

(Erased Tapes)

Due: 24th June

Japanese voice artist Hatis Noit makes her debut on Erased Tapes with Aura. Noit’s practice is inspired by Gagaku — Japanese classical music — folk music, Bulgarian and Gregorian chanting, and avant-garde vocalists. Its 8 tracks were created almost entirely using nothing but her own voice, with the exception of field recordings of the ocean featured on ‘Inori’.

Carlos Alves de Sousa
VF Team

25.5.22

When should I change my needle?


A good turntable can keep you spinning records for years, if not decades. But the stylus, or needle, which actually draws the music out of a record’s grooves, and the cartridge into which it is inserted, are considerably less durable.

A good turntable can keep you spinning records for years, if not decades. But the stylus, or needle, which actually draws the music out of a record’s grooves, and the cartridge into which it is inserted, are considerably less durable.

A dozen different websites will offer you a dozen different suggestions as to how frequently a stylus should be changed, often conveying that information in terms of playing hours — as if anybody actually logs every record they play, totting up the total times until they hit the magic number. But you should invest in a new needle at least once a year, and sooner if you play a lot of records a lot of the time, or if you enjoy churning through scratchy and/or dirty discs.

One thing is certain: Do not wait until you notice the sound of your records deteriorating as you play them (distortion, fuzz, skipping, etc). Because it’s not only your needle that is finished. The original fidelity of your record is on the way out as well.

What needle do you need?

That can be tricky. Recent years have seen a lot of turntable manufacturers (particularly at the lower end of the price scale) neglect to offer this information on either their websites or in the literature that comes with the player — why, one can only guess.

Thankfully, a lot of stylus merchants will provide a checklist on their website, allowing you to match the make and model of your turntable to the appropriate needle.— so, again, before purchasing a particular turntable, do yourself a favor. Find out (a) if replacement needles are readily available from any source beyond turntable’s own manufacturer; and (b), how much they’re going to cost you. Because that can sometimes be a shock.

The cartridge that holds the needle will also require replacing at some point, although that is further on down the road — and it can often also be upgraded as well, to improve the turntable’s sound even further. (Just remember, the stylus you require might also change, to fit the new cartridge’s specifications.)

The final thing to watch, or rather listen, for is the condition of the turntable belt — the fat elastic band that makes the platter spin. These will, over time, begin to stretch, subtly altering the speed at which you are listening to a record. This will not harm your record, but it might damage your appreciation of what you’re listening to. So pay attention!

There is one other area that you need to get a grounding, and that is how to look at a record and decide whether or not it’s in good enough condition to actually listen to.

Dave Thompson

UNITED PHOTO PRESS

The Beatles Yellow Submarine turntable back in limited numbers



I thought we had seen the last of this, but The Beatles Yellow Submarine turntable is back in limited numbers.

This Crosley-made record player was a limited edition and the ‘exclusive turntable’ of Record Store Day 2021. 1,500 were made available for that day and all sold out. That was the end of it. Or at least, that was what we all thought.

No, the player is back, with Rough Trade now taking pre-orders for the Beatles-themed player, with a due date of July.

.

In essence, this is a typical Crosley player with all the functions and details you would expect. So the ability to play your vinyl at 33, 45 or 78 rpm, an Audio Technica stylus and a functional counterweight plus, as a bonus, a built-in Bluetooth receiver streams music directly from your smartphone direct to the speakers.



But you are probably buying it because of the design, which features the cartoon Fab Four on the inside, a yellow and red colour scheme plus the Yellow Submarine logo on the top.

£189.99 is the price, with pre-orders now being taken. Don’t miss out.


You might also recall that Pro-Ject produced a limited Yellow Submarine turntable shaped like the sub. Do check it out if you missed it. Sadly, no longer available, although they do turn up on auction sites like eBay now and again.

The latest in a series of Fab Four designs and perhaps the pick of them so far. That’s The Beatles Yellow Submarine turntable by Pro-Ject.

Of course it was going to be Yellow Submarine in 2018. After all, the animated movie is 50 years old and returning to the big screen as a 4K restoration to celebrate the event. A lot of related merchandise too. I mentioned the Pretty Green clothing range already (which also includes some design pieces) and I would guess that this record deck will not be the last tie-in we will see this year.

But it is the most recent one, so let’s focus on this one right now, as it a lovely piece of kit.

Of course, this is a deck designed to imitate the submarine at the centre of the movie and in that respect, it rally is job done. This is an incredibly eye-catching piece of design, especially if you are a fan of the band or animation.

Technical stuff? Ok, I have that too. The deck is handmade in Europe and comes a ‘rigid’ MDF chassis and is belt-driven with a synchronous motor. It also has a specially designed Ortofon Concorde pickup , vibration absorbing feet, a glass platter, a ‘highly precise and light’ aluminium tonearm, gold-plated contacts and a silicon belt with optimum dampening.

Oh and one other thing, which is the price. The Yellow Submarine turntable will be priced at £389, with a dust cover available but for extra cash. I said ‘will be’ because as yet there isn’t a definite shelf date, but I would guess the release will tie in with the film release.

Find out more at the Amazon website

The Beatles Yellow Submarine turntable by Pro-Ject

UNITED PHOTO PRESS