Showing posts with label 2022. Show all posts
Showing posts with label 2022. Show all posts

19.8.22

World Photography Day


Since the early 19th century, photography has become an ever-increasing medium of personal expression and appreciation for countless people around the world.


A photograph has the ability to capture a place; an experience; an idea; a moment in time. For this reason, it's said that a picture is worth a thousand words. Photographs can convey a feeling faster than, and sometimes even more effectively than words can. A photograph can make the viewer see the world the way the photographer sees it.

Photographs even transcend the passing of time - a photo from a hundred years ago can still be as appreciated now, as it was then. A photo taken tomorrow, can still be just as appreciated by others in a hundred years' time.

Join the World Photography Day celebration, this August 19th. Go out and capture a moment.


#unitedphotopress

15.6.22

The best Sony camera in 2022



The best Sony cameras are some of the best mirrorless and compact cameras you can buy today. Whether you’re a beginner, an enthusiast or an experienced imaging professional, and whether you work in stills, video or both, there will be a Sony camera that suits you down to the ground. It’s just a question of finding it – and that’s where we come in.

For our guide to Sony cameras, we’ve picked out the best of the best in every category. We’ve included representatives from the flagship Alpha 7 series of full-frame mirrorless cameras, as well as a few of the more budget-friendly APS-C mirrorless Alpha 6000 series cameras that are oriented towards enthusiasts. And for those who prefer an all-in-one camera, we’ve also included representatives from Sony’s range of Cyber-Shot RX compacts. So, let’s get stuck right into the best Sony cameras you can buy right now.

Here are our picks of the best Sony cameras:
Best Sony camera for photography: Sony A7 IV


Sony Alpha A7 IV (33MP) mirrorless

At a glance:Mirrorless camera
33MP full-frame Exmor-R CMOS sensor
10 frames per second shooting
ISO 50-204,800 (extended)
4K 30p video recording
£2,400 body-only

The Sony A7 cameras have always been good for a bit of everything. While the A7R models focus on resolution, the A7S models on low-light video and the A9 models on speed, the A7 cameras have quietly gone about the business of being some of the best full-frame all-rounders on the market.

The Sony Alpha A7 IV is the best one yet, kicking it up a gear in response to increased competition from Canon and Nikon. This translates to a revamped 33MP sensor, with 11fps burst shooting and super-fast autofocus to play with, as well as handling improvements like a fully articulating LCD screen and a higher-resolution viewfinder.

The impressive range of full-frame E-mount lenses allows you to customise the system according to what you plan to shoot. For serious photographers, it’s one of the most fully-featured cameras you can buy right now without getting into ultra-pro territory.
Best for: enthusiast photographers who want to shoot everything

Best Sony for wildlife and bird photography: Sony A1

At a glance:Mirrorless camera
50.1MP full-frame Exmor RS CMOS sensor
30 frames per second shooting
ISO 50-102,400 (extended)
8K 30p video recording
£6,500 body-only

So, speaking of ultra-pro territory – the Sony Alpha A1 is something truly special, and one of the most technologically advanced cameras ever made. It could have topped any of the categories on this list that don’t have the word “budget” anywhere near them, but we’ve picked it for bird and wildlife photography because of its frankly ridiculous ability to shoot at 30 frames per second, maintaining that full 50MP resolution, while adjusting focus and exposure between shots. This is basically cheat mode for wildlife photography.

Of course, the Sony A1 is designed for professionals, and costs more than almost any two other cameras on this list combined. If that’s out of your budget (fair), then we’d also recommend considering the Sony Cyber-shot RX10 IV. A bridge camera that pairs a 20.1MP 1-inch sensor with a 24-600mm (equivalent) f/2.4-4 lens, it has an incredibly capable autofocus system that consistently nails moving subjects.
Best for: big-budget pros

Best Sony camera for beginners on a budget: Sony A6000

Sony Alpha A6000 with 16-50mm Power Zoom lens

At a glance:Mirrorless camera
24.3MP full-frame Exmor APS-C HD CMOS sensor
11 frames per second shooting
ISO 100-25,600
Full HD 60p video recording
£419-499 with lens

This fantastic camera has been around since 2014, and the fact that it’s still one of the best mirrorless cameras for beginners is an indicator of how many things Sony got right with it. The Sony Alpha A6000 kicked off an entire series of APS-C mirrorless cameras for enthusiasts, and over the years its price has come down to the point where it’s one of the best budget cameras you can buy. There are also plenty of E-mount lenses designed specifically for APS-C cameras, so you won’t feel short-changed when it comes to the glass.

It’s amazing how many of the A6000’s specs are still competitive today. The autofocus system can acquire a subject in as little as 0.06 seconds, and the burst mode can manage 11fps – all of which is more than enough for speedy action photography. The only area where the A6000 has started to fall behind is video, as it pre-dates the 4K boom, and doesn’t have a mic jack.
Best for: cash-conscious beginners and enthusiasts

Best Sony camera for vlogging: Sony A7C


At a glance:Mirrorless camera
24.2MP full-frame BSI CMOS sensor
10 frames per second shooting
ISO 50-204,800 (extended)
4K 30p video recording
£1,900 body-only

Sony loves small cameras, even when they’ve got big sensors. The Sony Alpha A7C is a relatively recent entry to the full-frame A7 line, and feels like an attempt to get back to basics, with a diminutive design and simple layout, and a lot of the choices make it ideal for vloggers. It’s got a fully articulating screen, as well as mic and headphone sockets that are smartly positioned not to block the screen when it’s facing forwards. Its 4K 30p footage looks gorgeous, with good dynamic range thanks to the full-frame sensor.

If the A7C is too expensive for you, consider Sony’s mirrorless vlogging camera, the APS-C Sony ZV-E10. It’s been going in and out of stock though, so can be hard to get hold of.
Best for: serious vloggers and aspiring YouTubers

Best Sony camera for travel vlogging: Sony ZV-1


At a glance:Compact camera with 25-70mm equiv f/1.8-2.8 lens
20.1MP 1-inch BSI CMOS sensor
24 frames per second shooting
ISO 64-12,800 (extended)
4K 25p video recording
£699

For travel vlogging, a compact camera is an ideal choice, as it provides an all-in-one shooting package that will fit even in a small bag. The Sony ZV-1 is an excellent choice – it’s specifically designed for vloggers, and as such, it has a stack of useful video features. Chief among these is the three-capsule built-in mic, which allows you to get decent audio without having to attach an external mic (though you can, if you prefer). The camera also comes packaged with a furry windshield to cut down on background noise. There’s no viewfinder or built-in flash, but a vlogger doesn’t need them.
Best for: vloggers who want an agile, portable rig

Best Sony for travel photography: Sony RX100 VI

Sony Cyber-shot RX100 VI
At a glance:Compact camera with 24-200mm equiv f/2.8-4.5 lens
20.1MP 1-inch Exmor RS CMOS sensor
24 frames per second shooting
ISO 125-12,800
4K 25p video recording
£799-849

Though this isn’t the most recent Sony RX100 compact camera (that title belongs to the Mark VII), the price of this sixth iteration has come down enough since release that we think it’s the smarter buy for travel photographers. It’s got a much longer built-in lens than previous RX100 cameras, making it more versatile, and also packs in plenty of high-end features for a camera in this class. Having 24fps burst shooting with focus and exposure adjustment, up to a 233-shot JPEG buffer, is no small thing.

The little Sony RX100 VI is still pocketable, meaning it’s ideal for city breaks and hikes as it won’t add much weight to your bag. The pop-up viewfinder is a nice touch as well, and 4K video at 25p with full pixel readout is a useful thing to have in your back pocket.
Best for: world-explorer photographers who travel light


Best Sony camera for streaming: Sony A6400


Sony Alpha A6400 (APS-C) mirrorless camera

At a glance:Mirrorless camera
24.2MP APS-C CMOS sensor
11 frames per second shooting
ISO 100-102,400 (extended)
4K 30p video recording
£999 with lens

If you want to set up a Sony camera for streaming, an APS-C mirrorless camera is a good bet, as they offer a solid suite of video features without the high price tag of the full-frame models. We recommend trying the Sony Alpha A6400 – it has plenty of features that are hugely useful for streaming, like its flip-up monitor, which has a video-friendly 16:9 aspect ratio.

You can stream via HDMI, or via USB with Sony’s Imaging Edge webcam software. The A6400 can record 4K at 30p, though the Full HD looks excellent, and is potentially the better choice for streaming.
Best for: at-home vloggers, streamers and YouTubers


Best Sony camera for sports photography: Sony A9 II


At a glance:Mirrorless camera
24MP full-frame stacked CMOS sensor
20 frames per second shooting
ISO 50-204,800 (extended)
4K 30p video recording
£4,299

Sony shook up sports and action photography with its blisteringly fast A9, and the Sony Alpha A9 II is an even more impressive mirrorless camera. The A9 II is designed to be able to capture basically any subject, no matter how fast-moving – its ground-breaking autofocus system is capable of making up to 60 AF calculations per second, and it can shoot at up to 20fps with the electronic shutter, or 10fps with the mechanical. This means you’ve still got a competitive burst rate in play in situations where you might run the risk of encountering a banding effect due to the quality of the light.

The A9 II burst-shoots with no viewfinder blackout, meaning you can keep laser-focused on your subject. With this and the generous ISO range, it’s difficult to think of many other cameras that can match the A9 II for its ability to nail the shot in basically any situation.
Best for: sports pros


Best Sony for landscape photography: Sony A7R IV

Sony Alpha A7R IV (61MP) full-frame mirrorless camera

At a glance:Mirrorless camera
61MP full-frame Exmor R CMOS sensor
10 frames per second shooting
ISO 50-204,800 (extended)
4K 30p video recording
£4,299

With the A7R series, Sony has continually broken the boundaries of resolution for full-frame cameras. The Sony Alpha A7R IV is the latest and greatest; with a whopping 61 million pixels of resolution to play with, photographers can capture an astonishing level of detail. A slower shooting experience than other Sony cameras, it’s a perfect choice for landscape photographers.

The A7R IV captures images with fine gradation, and a 15-stop dynamic range if you use it at the low end of its ISO scale. Pair it with a high-quality, large-aperture prime lens from E-mount, and the results are nothing short of astonishing.
Best for: making large prints


Best Sony camera for video: Sony A1



At a glance:Mirrorless camera
51MP full-frame Exmor RS CMOS sensor
30 frames per second shooting
ISO 50-102,400 (extended)
8K 30p video recording
£6,500 body-only

Yep, it’s back. As we said earlier, the Sony Alpha A1 really could have topped practically any of these categories, but we elected to restrict it to just two – and it really is the best video camera Sony has made in the Alpha series.

It’s capable of capturing 8K 30p video – indeed, was the first mirrorless camera to be able to do so – and it will do that internally, with a bit rate of up to 400Mbps. Drop the resolution, and you’ve got 4K at a maximum frame rate of 120p.

A clever heat-management system keeps the camera cool and enables recording times of more than 30 minutes – none of those harsh recording limits that dogged the Canon EOS R5 on launch. You get 10-bit 4:2:2 colour, while S-Cinetone and S-log3 modes help retain maximum detail and dynamic range for the colour grade.
Best for: uncompromising video shooters

Best Sony camera for low-light video: Sony A7S III


Sony Alpha A7S III

At a glance:Mirrorless camera
12.1MP full-frame BSI-CMOS sensor
10 frames per second shooting
ISO 40-409,600 extended
4K 120p video recording
£3,800 body-only

It’s hard to overstate just how much the original Sony A7S changed the game with regard to low-light video. Its ability to effectively shoot in the dark at ISO levels as high as 409,600 redefined what was thought possible on a full-frame mirrorless camera. The A7S II further upped the ante by adding internal 4K recording, solidifying the series’ position as a tool for serious filmmakers.

The Sony Alpha A7S III does all the same things, and adds handling upgrades like a side-hinged fully articulated LCD, and a completely overhauled touch-sensitive interface. As awkward menu-fiddling has always been a bit of a bugbear with Sony cameras, this was a truly welcome addition. With twin card slots that can both accept the super-fast CFExpress Type A format, as well as a back-illuminated sensor structure that enables lightning-fast readout speeds, this is a camera that’s more than capable of keeping up with even the most demanding video shoots.
Best for: filmmakers and pro content creators

30.5.22

Best Cameras for Landscape Photography 2022


If your primary subject for photography is landscapes, then it’s likely you’ll want to choose a camera that’s great at capturing landscape images. Here we look at some of the best cameras for landscape photography, and what makes them a good choice. We also run through some of the things you should be thinking about when choosing a camera for landscape photography, as well as letting you know what lens options there are.

There are several things you want to consider when looking for a camera for landscape photography, here they are: 
Resolution
Dynamic range
ISO range
Image stabilisation
Weather-sealing
Lens choices
Resolution

Ultimate resolution may be your aim, and for that there are a wide range of high-resolution options. But if travel, and hiking is one of your aims, then you may not want something so large and heavy, and we’ve highlighted some other options as well. High-resolution sensors help you capture more detail, and can let you crop into your image, but it’s also worth pointing out that a high-quality 20MP image can be printed upto 18x12inches at 300dpi, roughly A3. If you don’t want to print your photos, then resolution may not be as important.

Zenit M rangefinder camera | Amateur Photographer
Dynamic range and raw

Dynamic range is generally pushed to its limits when shooting landscape images, as you often have darker areas or shadows, along with a bright light in the scene, and you want to capture as much as this as possible. The human eye can normally cope with a much wider range than most cameras, so you’ll want to shoot in raw or use other all available options to capture as much dynamic range as possible. All of the cameras shown here shoot raw so you can process the images later when needed to get the best results. See our guide on how to maximise dynamic range.
ISO range

ISO range – In landscape photography, you’re most likely going to want to use the lowest ISO speed possible, in order to ensure your image is capturing as much fine detail as possible. One thing that can help is a lower ISO speed. There’s not a massive difference between using ISO100 and ISO200 on most cameras, however, if your camera has an even lower ISO speed, such as ISO50, then it’ll be easier for you to use a slower shutter speed when needed, helping you when you’re trying to capture blurred water, or blurred clouds etc. Be aware that some extended ISO speeds, marked as “Low” or “L” will show a reduced dynamic range, and are therefore best avoided.
Image stabilisation

Image stabilisation (IS) can help, and we’re at a point in time where it’s more common for new cameras to have in-body image stabilisation than not, and not only lets you expand your ability to shoot at slower shutter speeds, but also allows manufacturers to add multi-shot high-resolution modes to some cameras. If you can afford a model with image stabilisation built-in, then this is worthwhile, as it works with all lenses, letting you save money when buying a lens without IS built-in.
Weather-sealing

Weather-sealing is likely to be a must, especially if you’re happy shooting in all-weather conditions. If this is important to you, then look out for cameras that feature weather-sealing. You’ll also need to make sure the lens you use with the camera is weather-sealed, otherwise you won’t be able to get the benefits of this.
Lens choices

Lens range is another key factor to consider, are the lenses you want available, for the camera you want to use? We run through some of the options available as we go through each camera.

Now that you’ve had a look at the aspects that make for a great camera for landscape photography, lets have a look at some of the options available. In no particular order, we’ve selected options that are suitable for a range of different budgets, and different needs.

Best landscape camera for beginners
Nikon D5600 – £749 with 18-140mm lens

The Nikon D5600 offers easy transfer of images via Nikon’s SnapBridge technology

At a glance:24.2MP APS-C sensor
ISO100-25,600
3.2inch 1.4m-dot full articulated touchscreen
820 shot battery life

The Nikon D5600 offers a 24.2MP APS-C CMOS sensor, and Nikon’s excellent colour management giving images with warm, saturated colour and plenty of detail. There may only be FullHD video, but if you don’t need 4K then the camera gives everything else you need, including access to some great APS-C (DX) lenses.

Ultra-wide-angle lenses include the AF-P DX-Nikkor 10-20mm f/4.5-5.6G VR lens (£309), which gives a 15-30mm equivalent ultra-wide-angle zoom, as well as the Nikon 10-24mm f/3.5-4.5 G AF-S DX lens (£949). If the Nikon lenses available don’t take your fancy, then there’s also lots of lens choices from Sigma, Samyang, Tamron and others.

Best for: DSLR fans who want a fully articulated touchscreen
Best landscape camera on a budget under £500
Nikon D3500 – £449 with 18-55mm VR lens

Nikon D3500 DSLR

At a glance:24.2MP APS-C CMOS sensor
ISO100-25,600
FullHD video (60fps)
1550 shot battery life

The Nikon D3500 features a 24.2MP APS-C CMOS sensor, with no optical low-pass filter, which means it’s designed to give as much detail as possible. Active D-Lighting helps with dynamic range in JPEG images, and the camera has traditional DSLR handling, making it a comfortable camera to use. You’ll also find incredible battery life, with up to 1550 shots possible.

The 18-55mm lens can give sharp results, and is a great starting point, but it’s likely you’ll want to have a look at the AF-P DX-Nikkor 10-20mm f/4.5-5.6G VR lens (£309) if you want a wider view.
Best for: those on a budget

Best camera for landscape photography under £1000
Fujifilm X-S10- £949 body only

At a glance:26MP APS-C CMOS sensor
In-body image stabilisation
PASM mode dial
4K video

The Fujifilm X-S10 is a great handling mirrorless camera, with a large hand-grip and DSLR like controls, with a PASM mode dial, making it easy to use. It also benefits from the same excellent 26MP APS-C X-Trans CMOS sensor as Fujifilm’s flagship X-T4 model, giving you images with plenty of detail, and Fujifilm colour. In-body image stabilisation is built-in, and it offers 4K video.

The downside to this model, compared to the X-T4, is the lack of weather-sealing on the X-S10. The X-S10 uses X-mount lenses and there are a number of options available, although perhaps not as much budget lenses as you’d find with other cameras.
Best for: Someone wanting a compact camera, and fans of Fujiifilm colour

Best Canon DSLR for landscape photography (APS-C)
Canon EOS 90D – £1629 body only

The Canon EOS 90D DSLR is a highly versatile and reliable camera

At a glance:32MP APS-C CMOS sensor
Canon EF-S lens support
1300 shot battery life
3inch vari-angle touchscreen

The Canon EOS 90D offers the highest resolution APS-C sensor currently available, and gives you Canon’s great colour reproduction, and high-levels of detail. It also offers an impressive battery life of 1300 shots.

There is a good range of ultra-wide-angle Canon EF-S lenses, with the Canon EF-S 10-18mm f/4.5-5.6 IS STM being a great value budget choice at £245 (16-29mm equivalent). For those with more cash, there’s a 10-22mm available (£529, 16-35mm equivalent), or for those than want wide-angle and zoom, there is a 15-85mm IS USM lens available (£779, 24-136mm equivalent).
Best for: Canon DSLR fans

Best Nikon DSLR for landscape photography (full-frame)
Nikon D850 – £2799 body only

The Nikon D850 boasts a 153-point autofocus system

At a glance:45.7MP Full-frame BSI CMOS sensor
Low base ISO speed of ISO64
4K video, 8K timelapse support
1840 shot battery life
Weather-sealed

The Nikon D850 is a high-resolution full-frame DSLR, with a 45.7MP sensor that is capable of producing images with high levels of detail, thanks in part to no low-pass filter. The camera also benefits from an ISO range that starts at ISO64, which is usefully lower than many cameras.

For some, the handling of a DSLR will be of great importance, and for these people, the Nikon D850 certainly delivers, with great ergonomics, particularly if you’re a fan of larger cameras. You’ll also benefit from impressive battery life, with up to 1840 shots possible from one battery.

There’s a range of lenses including the Nikon 16-35mm F4 G AF-S VR lens at £1149, or you could look at these wide-angle prime lenses: Nikon 20mm F1.8G AF-S (£799) or the Nikon 24mm F1.8G AF-S (£749).
Best for: Nikon DSLR fans



Best Nikon mirrorless camera for landscape photography
Nikon Z7 II – £2999 body only

The Nikon Z 7II with a 24-70mm zoom lens

At a glance:45.7MP full-frame BSI CMOS sensor
ISO64-ISO25,600 (standard)
In-body image stabilisation
Weather-sealed

The Nikon Z7 II is one of the second generation full-frame mirrorless cameras from Nikon, and offers an impressive 45.7MP full-frame BSI CMOS sensor, along with Nikon’s Z-Mount series of lenses which have all been developed specifically for the new mirrorless camera range. This means they give exceptional image quality, in combination with Nikon’s excellent focus system.

There’s a growing range of lenses, but you’ll notice that many are at the more expensive end of the market, with ultra-wide-angle options being the 14-24mm f/2.8 S (£2499), and another being the 14-30mm f/4 S (£1349).
Best for: those looking for a compact full-frame camera



Best Panasonic camera for landscape photography
Panasonic Lumix S1R – £3299 body only

At a glance:47MP full-frame sensor
ISO100 to ISO25,600 (standard)
In-body image stabilisation
High-res multi-shot mode (187MP)
Weather-sealed

The Panasonic Lumix S1R offers a high-resolution 47MP full-frame CMOS sensor, along with a high-resolution electronic viewfinder, 4K video recording, and in-body image stabilisation. There’s a multi-shot high-resolution mode that can produce 187MP images, and the camera has a mode to reduce motion blur, so that it can be used for landscape photography. Despite being a mirrorless camera, the S1R is quite weighty and large.

As part of the L-Mount alliance, there are wide range of lenses, available from Panasonic, Sigma, and Leica. Options include the Sigma 14-24mm F2.8 (£1299), Panasonic Lumix S Pro 16-35mm F4 (£1499), Leica 16-35mm F3.5-4.5 (£4850), and Panasonic Lumix S 20-60mm F3.5-5.6 (£619), to name a few ultra-wide zoom lens options. There are also a range of ultra-wide-angle prime lenses available.
Best for: Those looking for a wide range of lens options

Best Canon camera for landscape photography
Canon EOS R5 – £4299 body only

At a glance:45MP full-frame sensor
Sensor-shift IS
ISO100 to ISO51,200 (standard)
8K/4K video recording
Weather-sealed

The Canon EOS R5 is Canon’s premium full-frame mirrorless camera, offering a 45MP full-frame CMOS sensor, as well as in-body image stabilisation that works with any lens. There’s a high-resolution 5.76m-dot electronic viewfinder (EVF), and a 3.2inch fully articulated touchscreen with 2.1m dots. This makes framing and composing shots a real pleasure when using the camera. A top LCD display also lets you see camera settings at a glance.

The camera offers advanced video modes, including 8K (30fps) and 4K (120fps) video recording, however, you need some quite impressive hardware to edit this, and you’ll also need to be aware that the camera does have some limitations due to over-heating while recording. There’s also relatively short battery life to be aware of, with 490 shots on offer when using the LCD, or a much shorter 320 shots when using the EVF.

If stills is your primary aim, then you don’t need to worry so much about video recording and overheating, and there are a growing range of Canon RF lenses available, with ultra-wide-angle lens options including the RF 14-35mm F4L IS USM (£1779), and RF 15-35mm F2.8L IS USM, plus the “standard” 24-70mm f2.8L IS USM (£2189). If you’re on a budget, there’s a compact RF 16mm f2.8 lens (£319).
Best for: Canon fans (full-frame), and those with an interest in high-resolution video
Nb. A second-hand option could be the Canon EOS 5DS R (50MP), which has been discontinued.



Best Sony camera for landscape photography:
Sony Alpha A7R IV – £3199 body only

At a glance:61MP full-frame sensor
ISO100-32,000 (expands to ISO50)
5-axis in-body image stabilisation
5.76m dot electronic viewfinder (EVF)
Weather-sealed

The Sony Alpha A7R IV features a 61-megapixel BSI CMOS sensor, the highest resolution available on a full-frame camera (along with the Sigma fp L), and to get any higher resolution than this you’d have to move over to medium format. This makes it a great choice was absolute resolution is of the highest importance. You can even use the pixel shift multi-shot mode for whopping 240MP images, however, these needs combining on a computer, and any movement in the scene can cause image quality problems.

Sony has been making full-frame E-Mount cameras since 2013, so as you’d expect there’s a vast array of lenses available, with high-quality options available from Sony, as well as a number of other options from Sigma, Zeiss, Tamron, Tokina and others. You can choose from a number of ultra-wide-angle zoom lenses, such as the Sony FE 16-35mm F4 ZA OSS (£1049), or the newer more compact FE PZ 16-35mm F4 (£1300) as well as many prime lens options.

Best for: Sony fans, wide lens choice, high-resolution

Nb. A second-hand or value choice could be the Sony Alpha A7R III, with 42MP sensor, it still offers high-resolution, but is much more affordable.


Best landscape camera for maximum resolution:
Fujifilm GFX100S – £5499 body only

At a glance:102MP medium-format sensor
In-body image stabilisation
ISO50 to ISO102,400 (extended)
Top display screen
Weather-sealed

Fujifilm’s GFX100S features an impressive 102MP medium-format sensor, at a previously unheard of price, seriously challenging how much a medium format camera normally costs. You’ll also find that it’s packed into a camera body that’s similar in size to a Digital SLR, making this a seriously impressive bit of kit, considering the size, and what it is capable of.

Image quality is impressive, and the camera makes it easier to achieve great results, thanks to the camera’s built-in in-body image stabilisation. The camera also delivers excellent dynamic range, as well as extremely pleasing colour reproduction, thanks to Fujifilm’s film simulation modes.

For those that want even more resolution, then there’s a multi-shot mode available for 400MP images, but like the Sony A7R IV, these need to be merged together on a computer, and any movement in the scene is going to ruin the shot, so think of this as useful for mostly still life work.

There’s a range of GF mount lenses, and there’s a 0.79x crop factor, so the GF 23mm f4 (£2399) lens is equivalent to 18mm (in 35mm terms), and the GF 30mm F3.5 (£1649) is equivalent to 24mm. There’s also a GF 32-64mm F4 (£2149), equivalent to 25-51mm, and it’s the widest zoom lens currently available from Fujifilm in GF mount.
Best for: Ultimate resolution thanks to 102MP sensor


Fujifilm GFX50S II – £3500 body only, or £3900 with 35-70mm lens

At a glance:50MP medium-format sensor
In-body image stabilisation
ISO50-102,400 (extended)
Top display screen
Weather-sealed

Medium format cameras used to cost an arm and a leg, so it’s incredible to think that you can purchase a brand-new medium format camera for £3500 body only in the form of the GFX50S II. In order to make the GFX system more affordable, the GFX50S II was introduced with a new budget lens, the GF 35-70mm F4.5-5.6 WR zoom lens (£849 lens only, or £3900 as GFX50S II kit with lens), which gives a 28-55mm equivalent.

Despite the lower price, it’s difficult to see where the camera is lacking, as the camera features a 51.4MP medium format sensor, in-body image stabilisation, a high-resolution electronic viewfinder (3.69m dots, 0.77x magnification), and a 3.2inch 2.35m dot tilting touchscreen. The price makes it competitive with high-resolution full-frame mirrorless cameras, and really does make medium format an option.

However, one thing to be aware of is the price of wide-angle lenses, as most GF-mount lenses are more expensive than the 35-70mm lens designed for this camera model, particularly if you’re looking for a wide-angle lens, with the GF 30mm F3.5 being £1649, and equivalent to 24mm.
Best for: Medium-format on a budget


Best landscape camera for hiking and all-weather
OM System Olympus OM-1 – £1999 body only

The OM System ‘Olympus’ OM-1

At a glance:20MP Micro Four Thirds sensor
Weather-sealed (IP53 rating*)
In-body image stabilisation
5.76m dot electronic viewfinder (EVF)
Compact body and lenses

The OM System Olympus OM-1 offers an impressive IP53 weather-sealed rating, when used with compatible lenses, giving this camera system some of the best weather-sealing of any current model. This feature, plus clever computational features make this camera more suited to landscape photography than it may appear on first glance.

You’ll find Live-ND built-in (upto ND64), which lets you use a slower shutter speed, without the need to attach an ND filter on the lens. There’s also in-camera focus stacking, in-camera high-res multi-shot (50MP handheld, upto 80MP with a tripod), HDR, timelapse, plus live composite / bulb modes for low-light shooting, as well as Starry Sky AF. As with other high-res multi-shot modes it’s best for static scenes, but there is a handheld mode, and we had success shooting outdoors with the camera.

As the camera is part of the Micro Four Thirds system, introduced in 2008, alongside Panasonic, there is perhaps the widest range of lenses available for any mirrorless system, with ultra-wide-angle lenses available from both Olympus and Panasonic, with multiple zoom lens options, as well as primes. There are also third party lenses available from Sigma, Laowa, Tamron, Samyang, and many others. Have a look at some of the best micro four thirds lenses.
Best for: Those who want full control, but also want a small weather-sealed camera system



Best Pentax camera for landscape photography
Pentax K-1 II – £1999 body only

At a glance:36MP full-frame CMOS sensor
Weather-sealed
Innovative tilting screen
Wide range of K-mount lenses
In-body image stabilisation

The Pentax K-1 II, and the original Pentax K-1, both offer a 36MP full-frame CMOS sensor, along with Pentax’s excellent build quality and ergonomics. The camera is weather-sealed, features an optical viewfinder, and an innovative tilting screen on the back. Using the Pentax K-mount you can use a vast range of lenses, dating back to 1975.

Speaking of lenses, there are a number of new full-frame lenses from Pentax, including the Pentax-D FA HD 24-70mm f2.8 ED SDM WR (£1179). Care needs to be taken when choosing a lens, as many of Pentax’s lenses are designed for Pentax APS-C DSLRs. There’s also support from third parties, including Samyang, and Irix, who offer a number of different ultra-wide-angle lenses, although it’s worth noting that the majority of these are manual focus only.
Best for: Pentax fans, K-mount lenses


Canon Powershot G1 X Mark III – £1139

At a glance:24MP APS-C CMOS sensor
24-70mm equivalent lens
ISO100 to ISO25,600
Weather-sealed
Compact camera

If you’re looking for something pocketable, and don’t want to worry about changing lenses, then the Canon Powershot G1 X Mark III is a compact option, with a 24MP APS-C CMOS sensor, and a 24-70mm equivalent zoom lens, with an f/2.8-5.6 aperture, as well as optical image stabilisation. There’s full manual controls, as well as raw shooting, although it’s worth noting that battery life is quite short, so a spare battery is highly recommended. Despite being a compact camera, you’ll find a built-in electronic viewfinder (EVF), plus a full-articulated 3inch touchscreen.

Best for: Those that want a pocketable all-in-one camera