Showing posts with label Street Photography. Show all posts
Showing posts with label Street Photography. Show all posts

11.1.21

United Photo Press Member, Photojournalist Alex Burgaz Has Portrayed Life On The Streets For Over 40 Years With 10,000 Photos


Photographs of the participation in the United Photo Press 28th Anniversary book, in the lower right corner the photographer's childhood portrait.


'Street Stories', stories from the world portrayed by Alex Burgaz!

My name is Alex Burgaz and currently, I am a photojournalist (@Buhopress), and a member of United Photo Press with whom I have participated in a book to commemorate the 28 years of the organization

I have been fond of street photography since my very young age. Son of the photographer Jesús Burgaz and relative of Agustí Centelles who, at the same time, I was lucky enough to have them as teachers, I created a photographic project of life, which is now 41 years old. It's called Street Stories.

The project is based on some 10,000 photographs, all of them captured on the streets of Asia, America, Europe and Africa. They immortalize from the simplest day to day to the greatest events of the moment.

All snapshots are ordered chronologically, marking the date and time from 1979 to the present.

The origin

I've been taking photos for as long as I can remember. My father insisted on teaching me and I have always been fascinated. However, I started the Street Stories project at the age of 5, when I was given my first camera (Kodak Instamatic).

My father was an AFC photography teacher during the 70s and 80s, and he took me with him almost every afternoon after school.

Very expert photographers in street photography met there frequently, such as Català Roca, Colom and Maspons, among many others "

They were older and I was always a child with a camera in hand, which was not very common at that time and they were very amused. They spent it between playing with me and giving me great little advice.

This environment and these gentlemen made me fall in love with this type of photography year after year, and that my great project in life was just street photography.

Street Stories not only wants to show a precise moment in each of the snapshots, the intention of the project is to show the evolution of society by viewing the photographs together.

Geographical scope and objectives

The project, within the possibilities, is made in different parts of the world, in order to reflect the difference of progress in different societies, and at the same time, the confluence of them caused by globalization.

The purpose of some photos individually may be informative and historical, but the purpose of the project as a whole is documentary and historical.

The purpose of the project is to reflect social evolution through the years and decades, those small nuances that sometimes seem insignificant, but end up being transcendental.

It is a photographic diary of the history of society and, failing that, of humanity, so the longer it lasts, the more it becomes richer and the more meaning it gains.

The project will last as long as I live, not a day less "

My dream is to live 105 years, so that street stories reach the century, but unfortunately that does not depend on me.

The protagonists

The leading role is for any story that happens in the streets and I also include public places, stories from the most insignificant (everyday life, homeless people, shopping, religions, etc ...) to the most relevant (historical moments, accidents, social conflicts, protests, etc ...).

As with the photographed subjects, from well-known public figures (politicians, artists, etc ...) to the most unknown being on the streets, including myself or even my family, as part of society and this evolution that wants immortalize the project.

Criterion and technique

My criteria is not to follow any criteria, that is, I photograph in a totally neutral way every story that happens in the streets, regardless of what place, what political ideology, what social group, what race or what religion it is.

I use all possible techniques within the world of snapshots, the evolution of the project itself and, at the same time, of its techniques, also reflect the evolution of society in the same way that it tries to do with each of its snapshots. or their sets.

The project tries to convey sadness, pain, melancholy, disappointment, nostalgia, happiness and joy.

It is everything that life itself transmits in each of its moments "

A sample of the photographs from the 'Street Stories' project

70's

Street Stories: 1979-06-14, 12h30m50, Catalunya.


Street Stories: 1979-06-14, 12h30m50, Catalunya. Alex Burgaz / @Buhopress

80's

Street Stories: 1989-05-17 11h23m12, Catalunya

Street Stories: 1989-05-17 11h23m12, Catalunya Alex Burgaz / @Buhopress
Street Stories: 1984-05-26 10h28m13, Catalunya.

Street Stories: 1984-05-26 10h28m13, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 1981-04-03 12h03m11, Catalunya.

Street Stories: 1981-04-03 12h03m11, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 1980-07-30 17h39m59, Catalunya.

Street Stories: 1980-07-30 17h39m59, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 1980-07-17 10h32m05, Catalunya.

Street Stories: 1980-07-17 10h32m05, Catalunya. Alex Burgaz / @Buhopress

Street Stories: 1980-07-04 18h33m50, España.
Street Stories: 1980-07-04 18h33m50, España. Alex Burgaz / @Buhopress
Street Stories: 1980-06-20 12h39m43, Catalunya

Street Stories: 1980-06-20 12h39m43, Catalunya Alex Burgaz / @Buhopress

90's

Street Stories: 1999-08-10 14h01m46, México.

Street Stories: 1999-08-10 14h01m46, México. Alex Burgaz / @Buhopress
Street Stories: 1999-08-05 09h56m13, EEUU.
Street Stories: 1999-08-05 09h56m13, EEUU. Alex Burgaz / @Buhopress
Street Stories: 1999-08-06 18h50m18, EEUU.

Street Stories: 1999-08-06 18h50m18, EEUU. Alex Burgaz / @Buhopress

Street Stories: 1999-08-05 07h54m16, EEUU.

Street Stories: 1999-08-05 07h54m16, EEUU. Alex Burgaz / @Buhopress


Street Stories: 1991-02-23 10h12m34, Catalunya.

Street Stories: 1991-02-23 10h12m34, Catalunya. Alex Burgaz / @Buhopress~

Street Stories: 1990-06-24 15h23m24, Catalunya.

Street Stories: 1990-06-24 15h23m24, Catalunya. Alex Burgaz / @Buhopress

2000's

Street Stories: 2009-07-26 10h38m05, España

Street Stories: 2009-07-26 10h38m05, España Alex Burgaz / @Buhopress
Street Stories: 2009-03-19 10h37m43, España

Street Stories: 2009-03-19 10h37m43, España Alex Burgaz / @Buhopress
Street Stories: 2008-06-09 14h44m35, Cuba.

Street Stories: 2008-06-09 14h44m35, Cuba. Alex Burgaz / @Buhopress
Street Stories: 2008-06-10 18h17m05, Cuba.

Street Stories: 2008-06-10 18h17m05, Cuba. Alex Burgaz / @Buhopress

Street Stories: 2008-06-04 15h37m10, España.

Street Stories: 2008-06-04 15h37m10, España. Alex Burgaz / @Buhopress

Street Stories: 2001-08-17 11h13m51, Tailandia.

Street Stories: 2001-08-17 11h13m51, Tailandia. Alex Burgaz / @Buhopress
Street Stories: 2000-06-05 17h20m49, Republica Dominicana

Street Stories: 2000-06-05 17h20m49, Republica Dominicana Alex Burgaz / @Buhopress

2010's

Street Stories: 2013-07-07 10h52m39, Catalunya.

Street Stories: 2013-07-07 10h52m39, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2013-09-29 11h15m03, Catalunya.

Street Stories: 2013-09-29 11h15m03, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2013-07-10 09h33m07, Catalunya.

Street Stories: 2013-07-10 09h33m07, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2013-07-07 09h50m58, Catalunya.

Street Stories: 2013-07-07 09h50m58, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2012-12-23 15h38m18, Catalunya.

Street Stories: 2012-12-23 15h38m18, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2012-05-23 12h01m25, Catalunya.

Street Stories: 2012-05-23 12h01m25, Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2011-06-21 18h50m54, Catalunya.

Street Stories: 2011-06-21 18h50m54, Catalunya. Alex Burgaz / @Buhopress

2020's

Street Stories: 2020-12-17 10h48m57 Catalunya.

Street Stories: 2020-12-17 10h48m57 Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2020-09-10 18h50m15 Catalunya

Street Stories: 2020-09-10 18h50m15 Catalunya Alex Burgaz / @Buhopress

Street Stories: 2020-07-02 20h05m52 Catalunya.

Street Stories: 2020-07-02 20h05m52 Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2020-06-20 19h34m39 Catalunya.

Street Stories: 2020-06-20 19h34m39 Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2020-06-02 19h05m25 Catalunya.

Street Stories: 2020-06-02 19h05m25 Catalunya. Alex Burgaz / @Buhopress
Street Stories: 2020-05-15 10h42m09 Catalunya.

 

(Street Stories: 2020-05-15 10h42m09 Catalunya. Alex Burgaz / @Buhopress)

*Extracted and adapted from the original article in the newspaper "La Vanguardia"

30.12.20

The Best and Worst Countries to Shoot Street Photography


You can shoot street photography in almost every country, but the experience is seldom the same.

I’ve been lucky enough to shoot street photography all around the world. My passion has allowed me to enjoy a fruitful life, and I’m incredibly grateful for the experiences I’ve had. It’s not uncommon for street photographers to combine their lust for the candid frame with their love for travel. We love to experience different cultures, and our cameras make it possible for us to document the variants in human nature. Having traveled the world, I’ve shot street in some spectacular places – and some less desirable places. Let me share them with you, as we look at the best and worst countries to shoot street photography in.

Best Countries for Street Photography

First, let’s look at some of the best countries to shoot street photography. Regarding the criteria, I’m going to focus on things like architecture, culture, society’s attitude towards street photography, and safety. The same will also apply to the worst countries.

Street Photography in Thailand

I had a lot of fun shooting street photography in Thailand. I was lucky to land in Chiang Mai right at the beginning of Songkran (Thai New Year). Songkran is also the water festival – which means thousands of locals and tourists hit the streets for a massive water fight!

Thailand is full of beautiful architecture, and it’s especially different from what you would see in the western world. Temples like Wat Arun in Bangkok are lots of fun to shoot in. The grounds are huge, with plenty of people passing through to photograph.


The general attitude towards street photography in Thailand is passive. The people are used to tourists, so nobody really cares if you snap them with your camera. I had no altercations in the three months I spent in the country.

Shooting in the United States

Cliche? Possibly. But I had a fabulous time shooting street photography in the United States. My journey started in New York City – the epicenter of street. It’s the larger than life feel that the US gives you. It almost feels like a world away from the world you know, a fantasy land some may say.

I visited five cities during my time in the States. NYC, Philadelphia, Washington DC, LA, and Portland. All of them offered something different. From large skyscrapers to old towns rich with history, there was always something to direct my lens towards.

The US seems to receive street photographers pretty well, especially NYC and LA. There was a slight sketchy moment in Philly. “Who are you pointing your camera at?” But nothing more than that.

Mexico

Mexico has a special place in my heart. I spent five months in this wonderful country, and I fell in love with everything about it. Mexico City is especially a location I’m very fond of. Areas such as Condesa and Roma Norte are full of so much life and pure Latino energy. Just walk around with your camera and shoot, and you’ll soon see the day quickly passes you by.

Away from the bustling city is the coast. Quintana Roo, home of hot locations like Cancun, Playa Del Carmen, and Tulum are amazing to shoot the candid frame. It’s a carefree lifestyle combined with beautiful sea and sand – mindblowing!

Mexican people are super friendly. I struggled to see them without a smile on their face. I had no trouble shooting street photography here, and honestly, I can’t wait to go back!

Worst Countries for Street Photography

Now let’s take a look at some of the worst countries I’ve shot street. It doesn’t mean they were completely terrible, but some factors made them far less desirable than the better experiences I’ve had.

India

I know I’m going to get shot down for this. And I do understand why. India is beautiful, and it’s a world so unique that any street photographer would want to shoot there. Don’t get me wrong, I did enjoy myself, but it was a challenge.

First, the pace of life is super fast. This is coming from someone who lived in London too. Everything is so chaotic that, at times, I struggled to focus on what was going on around me. Unable to channel my vision, it was difficult to really zone in and create my best work.

Also, being white, I couldn’t stand for more than two minutes without someone stopping me. Either just wanting to admire me or sell me something, India wasn’t a great country to go unnoticed – something that’s essential for street photography!


Nicaragua

Poor timing, but I arrived in Nicaragua just as civil unrest was at its peak. The country’s people had had enough of their government and took to the streets to show their unhappiness. They didn’t march peacefully.

Buildings were destroyed, businesses blown to pieces. People walked the streets with knives, baseball bats, and any other weapon they could get their hands on. Certain gangs refused entry and exits of cities. A group of 50 people stopped my car, told us to turn around, and not try to leave again.

Thankfully nothing happened to me. But it certainly wasn’t the type of environment I wanted to be in with my camera for long periods.


Malaysia

In Malaysia, there was no danger or unwanted attention, but the problem I found was, well, it was boring. Kuala Lumpur is a city that’s trying to be western. The consequence of that is it lacks any real identity. It felt lifeless, void of any kind of soul.

I spent two weeks there and I didn’t feel overly inspired to go out and shoot. Of course, I pushed myself, but it felt more like a job I hated, rather than something I was doing out of pure passion.

And the people, they seemed rather cold. Maybe I’m being unfair there. But as someone who gravitates to warm, interpersonal cultures, being in Malaysia just felt too conservative for me.

Dan Ginn